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Deltalab DMT1 Digi Metronome

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Item# 630519
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Save $1,399.01 (36%), MSRP $3,799.00

Availability: Sep 25. Order now to reserve yours!

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The ultimate 32-channel mixing console.
  • 32 channels and 16 auxiliary returns for 48 total inputs
    16 buses — configurable as two 6.1 surround sends
    8 Aux Sends
    16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch
    24 channels of TDIF and 8 channels of ADAT built in
    2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards
    Dedicated cascade port supports cascade of two DM-3200s
    Per channel LED ring encoders for pan, aux sends and EQ
    Built-in DAW control
    All inputs, effects and processing are available at 96k -- no features are sacrificed at full sampling rate
    Transport controls control DAW, HDR or tape playback
    Dedicated DAW control surface layer for Digidesign Pro Tools®, Cakewalk SONAR®, MOTU DP™, Apple Logic, Steinberg Cubase® and Nuendo®
    Powerful automation with touch-sensitive motorized faders
    4-band parametric EQ and dynamics on each channel
    32-bit internal resolution with 64-bit EQ resolution
    Two built-in effects processors include TC Works reverb processing
    Flexible routing — route from virtually any input to any output
    Back up mix data to convenient Compact Flash media slot or to USB
    Optional MU-1000 meter bridge
    Stylish, professional design with rear panel I/O connections
    TASCAM Mixer Companion software (Win XP/OSX) with:
    Driverless USB connection to computer
    Backup/restore data via USB
    On screen timecode, transport and meter displays
    Maximum overall dimensions (w x d x h): 27.6" x 32.9" x 9.1"_(700mm x 836mm x 230mm)
    Weight 52.8lbs (24kg

TASCAM DM-3200 Digital Mixer
More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.

The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown — even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.

The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds — total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Analog audio I/O

    All specifications are given with the factory reference
    level of —16 dBFS.

    MIC inputs (channels 1 through 16) balanced XLR-type female connectors
    adjustable input level: (—60 dBu (TRIM max) to —4 dBu (0 dB pad))
    (—40 dBu (TRIM max) to +16 dBu (—20 dB pad))
    Input impedance 2.2k Ohms
    PHANTOM (+48V) +48 V phantom power. Switchable in blocks of 4 channels
    (1—4, 5—8, 9—12, 13—16)
    LINE IN (BAL) inputs (channels 1 through 16) balanced 1/4" jacksb
    adjustable input level (—44 dBu (TRIM max) to +12 dBu (TRIM min))
    Input impedance 10k Ohms
    INSERT connections (channels 1 through 16)od 1/4" TRS jacksc
    Send: nominal output level —2dBu, maximum output level +14 dBu,
    impedance 100 Ohms
    Return: nominal input level —2dBu, headroom 16 dB, impedance 10 kohms
    ASSIGNABLE RETURNS (BAL) (1 through 4) Balanced 1/4" jacks
    Nominal input level: +4 dBu
    Headroom: 16 dB
    Input impedance: 5k Ohms
    ASSIGNABLE SENDS (1 through 4) Pseudo-balanced 1/4" jacks
    Nominal output level: —2 dBu
    Maximum output level: +14 dBu
    Output impedance: 100 Ohms
    2 TR IN (L/R) 2 x RCA pin jacks
    Nominal input level —10 dBV
    Headroom: 16 dB
    Input impedance: 10 k Oms
    STEREO OUTPUT (L/R) Balanced XLR-type male connectors
    Nominal output level: +4 dBu
    Maximum output level: +20 dBu
    Output impedance: 100 Ohms
    MONITOR OUTPUTS (CR (BAL)) Pseudo-balanced 1/4" jacks
    Nominal output level: +4 dBu
    Maximum output level: +20 dBu
    Output impedance: 100 Ohms
    Nominal output level —10 dBV
    Maximum output level: +6 dBV
    Output impedance: 100 Ohms
    PHONES 2 x 1/4" stereo jacks
    50 mW + 50 mW total
    32 Ohms

    a. all XLR-type connectors are wired 1=ground, 2="hot", 3="cold"
    b. all balanced 1/4" jacks are wired sleeve=ground, ring=cold, tip=hot
    c. all TRS 1/4" jacks are wired sleeve=ground, ring=return, tip=send
    d. Maximum with both PHONES jacks driven at maximum

    Digital audio I/O
    DIGITAL INPUTS (1, 2) 2 x XLR-type female connectors (input impedance 110 Ohms) or
    2 x RCA pin jacks (input impedance 75 Ohms) (selectable)
    AES3-1992 or IEC60958 data format (automatically detected)
    24-bit word length
    Switchable sampling frequency conversion available
    DIGITAL OUTPUTS (1, 2) 2 x XLR-type male connectors (output impedance 110 Ohms)
    2 x RCA pin jacks (output impedance 75 Ohms)
    AES3-1992 or IEC60958 data format (software selectable)
    24-bit word length
    TDIF-1(1, 2, 3) 3 x 25-pin (female) D-sub connectors (metric lock screws)
    Conform to TDIF-1 standard
    24-bit word length
    ADAT IN/OUT 2 x "Lightpipe" optical connectors
    Conform to ADAT OPTICAL specifications
    24-bit word length
    Sampling frequencies Internal 44.1 kHz/48 kHz, 88.2 kHz/96 kHz (high sampling frequencies)
    External ±6.0%
    Signal delay < 1.7 ms — Fs = 48 kHz, LINE IN to STEREO OUTPUT
    < 0.85 ms — Fs = 96 kHz, LINE IN to STEREO OUTPUT

    Miscellaneous I/O connections
    WORD SYNC IN BNC connector
    Switchable 75 Ohms termination
    TTL level
    WORD SYNC OUT/THRU BNC connector
    Switchable between through and output
    TTL level
    MIDI IN, OUT, THRU/MTC OUT 3 x 5-pin DIN connectors—conform to MIDI specifications
    USB USB 1.1 'B' type connector (12 Mbps)
    TIME CODE IN RCA pin jack
    Conforms to SMPTE specifications
    FOOT SW 1/4" mono jack
    TO METER 25-pin female D-sub connector (non-metric lock screws)
    For use with the optional MU-1000
    RS-422 (for Sony 9-pin) 9-pin female D-sub connector (non-metric lock screws)
    wired to RS-422 standards
    GPI (for Machine start) 9-pin female D-sub connector (non-metric lock screws) wired for GPI control
    Pin 1=GP11, Pin 2=GPI2, Pin 3=GPI3, Pin 4=GPI4, Pin 5=GND, Pin
    6=GPI5, Pin 7=GPI6, Pin 8=GPI7, Pin 9=GP18

    Specifications : Equalization
    All filters are fitted with "gain flat" switches
    System performance
    Physical characteristics
    EQ switch On/Off
    HIGH filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type: Hi-shelving, Peak, LPF
    HI MID filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type: Peak, Notch
    LO MID filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type: Peak, Notch
    LOW filter Gain: ±18 dB, 0.5 dB resolution
    Frequency: 31 Hz to 19 kHz
    Q: 0.27 to 8.65
    Type Low-shelving, Peak, HPF
    THD (maximum level,
    1 kHz, TRIM: minimum)
    20 Hz — 22 kHz LINE IN to INSERT SEND
    < 0.005%
    < 0.008%
    Frequency response
    (nominal level, 1 kHz,
    TRIM: minimum)
    0.5dB/-1.0dB MIC/LINE to INSERT SEND
    0.5dB/-1.5dB MIC/LINE to INSERT SEND
    0.5dB/-1.0dB MIC/LINE to STEREO OUTPUTa
    0.5dB/-1.5dB MIC/LINE to STEREO OUTPUTa
    a. MIC/LINE to channel module to STEREO OUTPUT, channel and stereo faders at 0 dB, pan hard left or hard
    20 Hz — 20 kHz (44.1/48 kHz)
    20 Hz — 40 kHz (88.2/96 kHz)
    20 Hz — 20 kHz (44.1/48 kHz)
    20 Hz — 40 kHz (88.2/96 kHz)
    Noise level (20 Hz —
    22 kHz, TRIM: max,
    150 ohms)
    MIC in (PAD off) to INSERT SEND (A weight)
    STEREO OUT (Input no assign)
    2TR IN to CR OUTPUT (CR: max, 0dB)
    < —128 dBu (EIN)
    < —83 dBu
    < —85 dBu
    < —78 dBu
    < —88 dBu
    Crosstalk @ 1 kHz STEREO/BUSS/AUX OUTPUTS
    > 90 dB
    > 90 dB
    Displays Backlit 320 x 240 LCD with contrast control
    2 x 12-segment LED meters
    Faders 17 x 100 mm stroke, motor-driven touch-sensitive faders
    Maximum overall dimensions (w x d x h) including rest 700 x 824 x 230 (mm) 27.6 x 32.4 x 9.1 (in)
    Weight 24 kg (52.8 lbs)
    Voltage requirements 120 VAC, 60 Hz
    230 VAC, 50 Hz
    240 VAC, 50 Hz
    Power consumption 65 W
    Supplied accessories Power cord, Quick Reference guide, 32 MB CF memory card, USB cable,
    CD-ROM, warranty card

Tape machines - 90 day warranty; one year parts warranty.
Warranty terms vary. Check with manufacturer for specific product warranty.
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I live in Bermuda. I need a digital mixer that has at least 8 aux sends for live use. I’m tossed between the Yamaha O1V96VCM and the Tascam DM3200. Can you give me your opinion on what’s better?
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