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Hal Leonard

Best Of The Beatles For Trumpet

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Item# J04574 001
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Save $929.00 (24%), MSRP $3,778.00
  $2,849.00
 

Style: Vintage Sunburst
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Description
Well-rounded acoustic-electric with rosewood/Sitka tonewood mix, Venetian cutaway, Expression System 2 electronics and gorgeous Vintage Sunburst finish.
  • Shape: Grand Symphony
    Number of Strings: 6
    Back/Side Wood: Indian Rosewood
    Scale length: 25-1/2"
    Top Wood: Sitka Spruce
    Body Length: 20"
    Electronics: Expression System 2
    Body Width: 16-1/4"
    Cutaway: Venetian
    Body Depth: 4-5/8"
    Nut and Saddle: Tusq Nut/Micarta Saddle
    Neck Width: 1-3/4"
    Neck/Heel: Tropical Mahogany
    Bracing: Forward Shifted Pattern with Relief Rout
    Fretboard Wood: Ebony
    Fretboard Inlay: Heritage Diamonds
    Headstock Overlay: Indian Rosewood
    Binding: Ivoroid
    Bridge Inlay: None
    Bridge Pins: Ebony
    Tuners: Taylor Nickel
    Truss Rod Cover: Indian Rosewood
    Back/Side Finish: Gloss
    Top Finish: Gloss
    Neck Finish: Satin
    Pickguard: Tortoise
    Case: Taylor Deluxe Hardshell Brown
    Number of Frets: 20
    Armrest Binding: None
    Back Config: 2-Piece No Wedge
    Backstrap Wood: None
    Backstrap Finish: None
    Brand of Strings: Elixir Phosphor Bronze Medium
    Buttons: Nickel
    Edge Trim: None
    Fingerboard Ext: None
    Fretboard Binding: Ivoroid
    Heel Cap Binding: Ivoroid
    Heel length: 3-1/2"
    Peghead Finish: Satin
    Peghead Inlay: None
    Peghead Binding: Ivoroid
    Peghead Logo: Ivoroid
    Peghead Type: Standard
    Rosette Mat.: Ivoroid
    Rosette Size: Three Ring
    Stain/Sunburst: Vintage Sunburst
    Type of Neck Joint: Scarf
    Wedge: None

Taylor 716ce Grand Symphony Cutaway ES2 Acoustic-Electric Guitar
The rosewood/spruce cutaway Grand Symphony 716ce unleashes a potent all-around sound with deep bass, meaty midrange and equally thick trebles, delivering impressive balance across the tonal spectrum. Players with a dynamic picking or strumming attack will love the responsiveness to both a light and heavy touch. A warm Vintage Sunburst top and neck complement rosewood’s chocolate hues, while creamy ivoroid outlines the body, fretboard, headstock and soundhole, and also is used for the neo-traditional Heritage Diamond fretboard inlays. A Venetian cutaway gives it a steeper slope on the treble-side of the fretboard with greater access as well. Taylor’s proprietary Expression System 2 acoustic electronics deliver exceptional amplified tone in a reliable plug-and-play package.

Grand Symphony
The Grand Symphony shape joined the Taylor line in 2006 and delivers a rich, powerful acoustic voice. Think of it as a Grand Auditorium with a turbo boost, thanks to expanded physical dimensions, including a slightly wider waist and a bigger lower bout. Strummers and pickers with a driving attack will love the fullness, volume and sustain. Yet for such a robust voice, the GS is also clear and responsive to fast picking runs or a light fingerstyle touch, so if you’re a dynamic player, this shape is a true contender. And the big voice doesn’t come at the expense of balance. The piano-like bass, meaty midrange, and thick, shimmering highs blend seamlessly. These traits also make the GS a great vehicle for 12-Strings. If you like a lush, potent guitar tone that has the horsepower to compete with other acoustic cannons out there, the GS shape is a worthy choice.

Indian Rosewood
The 716ce features one of the most popular and traditional guitar woods of all time, rosewood, which takes the basic sonic thumbprint of mahogany (which has a strong midrange) and expands it in both directions. Rosewood sounds deeper in the low end and brighter on the top end (one might describe the treble notes as zesty, sparkly or sizzly, with more articulation). If you look at its frequency range visually, rosewood would appear to be more scooped in the middle, yielding less midrange bloom than mahogany. Like mahogany, rosewood’s vintage heritage has helped firmly establish its acoustic legacy. It’s a great sound in part because we know that sound. In some music circles in which preserving the traditional sound helps bring a sense of authenticity to the music — certain strains of Americana, for example — rosewood has an iconic status. Also like mahogany, rosewood is a versatile tonewood, which has contributed to its popularity. One can fingerpick it, strum it and flatpick it. It’s very consistent, so players can usually rely on it to deliver.

If you like a guitar with fuller low end and brighter treble (bluegrassers, for instance), rosewood will do the trick. Its high-end sizzle and clear articulation will benefit players with “dark hands”.

Forward Shifted bracing with Relief Rout
The 716ce's bracing shifts the X forward (closer to the soundhole) and incorporates Taylor’s patented relief rout, a tone-enhancing voicing technique in which a groove is carved along the inside edges of the top. This groove is similar in function to the re-curve on a violin — it “loosens up” the edges of the top, generating extra flexibility without sacrificing structural integrity. These refinements enable more of the top to vibrate, enhancing the tone.

Expression System 2
The Taylor Expression System 2 (ES2) is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s proprietary behind-the-saddle pickup (patent pending), which features three uniquely positioned and individually calibrated pickup sensors. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before. Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar.

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