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Taylor GC4 400 Series Grand Concert Acoustic Guitar
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The Taylor 2012 GC4 400 Series Grand Concert Acoustic Guitar has volume that belies its size. The peghead and short-scale neck deliver a more "woody"...Click To Read More About This Product
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The GC4's clarity, balanced response, scaled-down proportions, and scalloped bracing make it ideal for fingerstyle playing.
The Taylor 2012 GC4 400 Series Grand Concert Acoustic Guitar has volume that belies its size. The peghead and short-scale neck deliver a more "woody" tone and an unbelievably easy feel on the fretboard. The look and tone of an ovangkol back & sides and Sitka spruce top combination creates a rich tonal tapestry and rivals almost any other in the high-end guitar world. Yet Taylor's ability to affordably source this beautiful, rosewood-like tonewood keeps it decidedly within reach.
Because of its smaller size, the Taylor GC4 Grand Concert Guitar is a curvy and comfortable, "intimate" guitar”something to wrap oneself around. Stage performers appreciate its body-friendly size and contours, and those who work in the recording studio love its controlled overtones. Other features include a bound neck, an Indian rosewood headstock overlay, and a beautiful abalone rosette
Grand Concert (GC)
Body Length: 19 1/2" / Body Width: 15" / Body Depth: 4 3/8"
A smaller bodied guitar ideally suited for fingerstyle.
The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the GC' compact size and tapered waist kept the overtones in check. It was also more comfortable to play while sitting down, and the guitar' slightly wider neck gave players more room for complex fingerings.
GC' smaller sonic footprint also fit cleanly in a mix with other instruments when tracking in the studio and with a band on stage, making it a useful tool for professional session and side players. Our current generation of GC models continues to accommodate fingerstylists with finger-friendly traits like a shorter 24 7/8-inch scale length, which makes fretting easier and adds a slightly slinkier feel on the strings due to the lighter string tension. If you feel more comfortable with a small body or favor controlled overtones, a Grand Concert is a great option.
Ovangkol
Origin: Tropical West Africa
Over a decade ago, Taylor introduced the guitar world to a sustainable tonewood known as ovangkol. An African relative of rosewood, it's a great sounding wood that shares many of rosewood's tonal properties, with a slightly fuller midrange and a top end that's not quite as bright as maple. Being lesser known than rosewood, ovangkol has been a sleeper hit over the years, asserting itself as an instant contender among unsuspecting players who test-drive a variety of Taylor models.
Goes Well With: Most applications. Players who perhaps don't have predefined tonal preferences, who may be generalists in their style of play, and who are looking for a well-rounded, all-purpose solid wood guitar. It works well with different body shapes.
- Shape: Grand Concert
- Back/Side Wood: Ovangkol
- Top Wood: Sitka Spruce
- Neck/Heel: Tropical Mahogany
- Electronics: None
- Bracing: Forward Shifted Pattern with Relief Rout
- Binding: Cream
- Fretboard Wood: Ebony
- Fretboard Inlay: 4mm Dots
- Headstock Overlay: Indian Rosewood
- Bridge Inlay: None
- Bridge Pins: Ebony
- Nut & Saddle: Tusq
- Tuners: Taylor Chrome
- Truss Rod Cover: Indian Rosewood
- Back/Side Finish: Satin
- Top Finish: Gloss
- Neck Finish: Satin
- Cutaway: None
- Pickguard: None
- Case: Taylor Standard Hardshell Black
Enjoy signature Taylor tone and playability. Order today.
