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Should I own my own Saxophone Microphone? Which style?

Whether you need a saxophone microphone or not will depend on a few things. The first question to answer would be when and where. There's no need for a microphone when you don't have any playing situations that would require or even imply being amplified. You would need to be playing in a group that the sax could not be heard and there would have to be a sound system to plug your mic into to benefit from it at all.

I own many microphones for my saxophones, for live and recording use. Most of my performances do have sound systems in use by my band when we play, yet I don't use a microphone for the sax all the time. The saxophone can actually be too loud in some rooms, all by itself.

Why do I carry my own microphones when I could probably get away without spending the money? Quality and control are the obvious answers. When you use whatever mic provided by the venue, the sound could be pretty bad. Eventually saxophone players get sick of sounding bad when amplified and decide it is time to buy a good microphone.

When shopping for a microphone you can get quickly overwhelmed with all the options: handheld, wireless handheld, condenser, cardiod, ribbon, tube, studio, recording, clip-on, wireless clip-on, and there are different models, many manufacturers and many are real expensive. Shure Microphones

The place to start is Live Sound, not studio recording. Live microphones are less expensive and made to endure being banged around on stage with more durability built in. My favorite handheld mics are the classic Shure SM58 and SM57 for saxophones and all wind instruments. They are used on stages all over the world, and seem to last forever.

Handheld mics require a mic cable and mic stand to use with a saxophone. I find a stationary mic on a stand is a good option for a younger player, to work on awareness of the microphone and to learn to use mic distance for greater volume control and to avoid honking lower notes our squealing higher notes.

The only real difference between wired and wireless handheld mics is the cost in relationship to the freedom from a cable. If the musician doesn't need to move around very much, the less expensive wired handheld works great.

What about the clip-on sax mics? I love them and use them often but there are a few things you will need to be aware of. I love not having to bring a heavy mic stand, the clip-on fits in my sax case, you can move all over and the mic follows you, performance is more exciting when you can move, and they sound really good. Some band leaders ask for them and expect horn players to have good clip-on mics available.

There is a tradeoff though. The clip-on attaches to the bell of a saxophone and will also pick up the sound of keys moving as you play. First thing I do is set the EQ on the sound system to work with my sax and mic. I roll the low (bass) frequency down from straight up, to half off, or 9 O-clock. The thump from the pad hitting the sax will become very light as you roll the lows, and the saxophone does not play in the bass range so little is changed in the tone. I also roll a little bit of the highs since a small mic can sound a little bright. Mic placement always affects the tone, so you want to make sure the clip centered and low to the middle of the bell.


Woodwind & Brasswind is proud to offer high-quality microphones for saxophones and all other musical instruments. All items are backed by The Woodwind & Brasswind's 45-day satisfaction guarantee, assuring that you'll love your purchase.

Los Angeles based freelance saxophonist Greg Vail is among the most versatile woodwind players on the west coast. His work in jazz, pop and contemporary gospel music spans over 30-years. Greg maintains an active digital presence at www.gregvail.com

While Woodwind & Brasswind compensates writers for their editorial reviews, the views expressed by the writers in those reviews are their own.

 



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