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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
Remaining Quantity: 2
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Trident Audio A-Range Dual ChannelThere are some recording consoles who by virtue first of their unique sound and secondly because of the historic recordings that were made on them, have developed an iconic, indeed very nearly sacred status. The Trident A-Range is one such console.Trident Studios was adopting the new 16 and 24 track tape machines in the early 1970s, and lead engineer Malcolm Toft along with Barry Porter designed the Trident A-Range console, which was subsequently used for major recordings by David Bowie, Queen, Rod Stewart, Elton John and numerous other major artists' most well-known recordings. There were only 13 original A-Range consoles made, so it is unlikely that you'll be strapping one into your own home studio anytime soon, but you can get the next best thing: two channels of direct replication.The A-Range Dual Channel is a rackmount strip containing two channels of the Trident A-range. Its EQ and its line/mic amplifier, and perhaps more importantly, the way the EQ and preamp work together to create a big rock sound that charmed a generation.Input sectionThe input section of the A-Range ® rack consists of a very high quality transformer-coupled discrete microphone amplifier and transformer-coupled discrete line amplifier designed specifically for professional audio applications.The microphone and line transformers are custom designed to the exact original Trident A-Range ® specifications.The microphone amplifier is designed to handle signal levels from -60dBu to as high as +10dBu without needing a separate pad switch. The 15-position combined mic/line gain switch is calibrated in accurate 5dB steps to provide precise matching of either microphone or line level signals. In conjunction with the 'Output' level control, very fine adjustment of signal level is achievable. The preamplifier exhibits very low noise while maintaining extremely fast transient response and a frequency response that extends beyond 40kHz. Naturally, best results are achieved when using a high quality condenser microphone. The microphone amplifier will also bring out the best in dynamic and ribbon microphones.EqualizationThe legendary A-Range ® equaliser is a unique and amazingly musical sounding equaliser - owing much to its all-discrete transistor circuitry and the use of inductors in the lower and upper mid range. The mid EQ sections are 'peaking', while the high and low range sections are 'shelving'.Each of the four bands is rotary-switch-selectable to any one of four frequencies, while individual push buttons engage the three high pass and three low pass filters.A novel feature of the original A-Range ® console and incorporated in this unit, is the use of long- throw faders for level adjustment, rather than rotary potentiometers. These faders feature a useful centre dedent at mid travel to denote zero boost or cut of the selected frequency. The use of faders makes it very easy to see not only when equalisation is being applied, but also the amount. A notable difference in the operation of the sliders on the rack unit, versus the original A-Range ® console, is one of physical orientation: the old console sliders move vertically, while the rack unit sliders move horizontally.Accordingly, on the consoles, the slider moved up to 'boost' and down to 'cut', whereas the rack version moves right to boost and left to cut. For most users, the layout adopted here will seem logical. However for some engineers, accustomed to working with old A-Range ® modules mounted sideways, this will seem backwards. This particular aspect of the design was the subject of much consideration but in the end, it was decided that the rack unit should have a more conventional 'right to boost, left to cut'.
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* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.