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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
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a great value. We feel so strongly you'll like what you see, we're including our
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Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
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a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Vandoren Java Series Tenor Saxophone MouthpieceThe Vandoren JAVA series features a combination of facing, opening and chamber particularly suited for be-bop playing. It provides a good edge to the sound without sacrificing the tonal core.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I've played on quite a few tenor mouthpieces over the last few years or so: hard rubber Otto Link (too stuffy), metal Link (great, but a little shrill at times), Jody Jazz ESP (slightly difficult in the low register), and a Sugal Kirk Whalum II (difficult to play). I had this mouthpiece in the closet and pulled it out a few months ago and it has become my favorite jazz gig mouthpiece. It is free blowing, even throughout all registers, effortless altissimo, and easy to play soft. Given, I wouldn't take it to a Rock & Roll or R&B gig because it is not bright or loud enough, but it really is great for jazz. It will provide plenty of sound for combo or big band gigs. For the price give it a shot. I like to use 3 1/2 ZZs with my T55 model. Hope that helps!
We all do it. Try this mpc/reed combination, happy for a while then try something else. This mpc isn't chops in a box, but it will let you play to your full potential. Quality is exceptional, very well finished. Tone and intonation are a cut above the rest of the mass produced on the market. I have a Java T95 and find it to be very easy blowing with an even scale and tone. Intonation is spot on. Forty-two yrs of playing and this is the best I've come across.
I was looking for an alternate to my Link metal mp but most of the hard plastic/rubber ones I tried felt too big in my mouth and sounded "stuffy". I had the opportunity to compare the Vandoren T55 and T75 with Otto Link 6 and 6* pieces in the store. The Links were again too stuffy for my tastes, I was looking for something with some of the cutting power of metal, yes still offering a more rounded sounded if I wanted to blow that way. And the Vandorens deliver! I went with the T55 because of its more middle-of-the-road, "all around" versatility. But the T75 is amazing too - it produces an enormous sound, easily competing with the Link metal IMO.
These Vandorens are easy to move to from metal mouthpieces, no major adjustment period needed. And they offer more vareity in sound. I'm very glad they invented them!
I tried several different mouthpieces and the T95 with my H. Couf Tenor is Simply Fun and Magical. Nice combination. My Horn is Naturally Dark so with this mouthpiece it gives it a Full Fat Tone with a nice Jazz Edge to it. Thank You! Tone, Response and Feel were right for me! I've had this mouthpiece for several years now and just love it.
This mouthpiece is one of the best I've ever played. It's free-blowing, dynamic and responsive in every register. It is my favorite piece for jazz. The altissimo is effortless with the Java. Mine's a T45, and I use Vandoren Java 3 (green box) reed.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.