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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
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Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
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It's best used for spare parts or to practice repairs on, and at this price Condition
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*Limitations and exclusions apply. See terms and conditions for program details
Vandoren Leather German Clarinet Ligatures and CapsWith the soft and supple leather wrap, the player will discover a very covered and pure sound. The three interchangeable pressure plates - 1 metal, 2 leather - offer excellent response and projection. A hybrid ligature that has something for every player. An elegant single screw provides precision tightening.
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This ligature is great because it has 3 different pressure plates and that's really essential because mouthpieces varies. For example I find the soft leather great with Vandoren V-12 reeds on mouthpiece brand A but with brand B mouthpiece the metal is best and the soft leather is really bad. My teacher had a mouthpiece which included ligature with it and that ligature was the best ligature he ever had tried but on another mouthpieces brand it wasn't that great.
So to summarize this review I say get the ligature that suites your mouthpiece and reed setup.
I purchased this ligature trying to replace the Rovner that I got stolen and one thing I like is the dark sound it produces. The 3 different plates (2 leather , 1 metal) give me options when I'm trying different mouthpieces; I prefer the leather one myself. What I don't like it's that they attach with velcro which I believe makes it unstable. After 2 months of using it, it streched that in order for me to keep the reed in place I have to place it too low. I still like the sound it produces but for the price (now more expensive than when I bough it) I would probably go with a BG Revelation or a Rovner Eddie Daniels which is what I had stolen.
This is great! The thick leather gives great centerd tone. Each pressure plate gives you a totaly different tone. I recomed this to all serious musicians.
I really enjoyed playing on this mouthpiece. I recommend it with a free blowing mouthpiece, and size four in V12. I personally like the metal plate, but that just my personal preference.
First I play on Grabner SW1-Personal mouthpiece(short lay and 0.98 mm opening) and Vandoren V-12 #3.5+ reeds.
Specially with the thick leather plate it gives me good resistance specially to get secure in the high register. But now I'm playing two rock,funk,jazz style pieces and both are fairly much around the throat tones and lower register(I think the other one does not even go higher than C above the staff two times or so) and over a big brass section. This ligature really hits it's limits and I really have to use my diaphram and push real hard to get any projection at all but then I sacrifice good control.
So I would recommend if you need projection but still want a fairly dark sound(it may sound bright but not in the back of a hall) to try the BG standard or Rovner Eddie Daniels(Now Verso) ligatures
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