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Walk Tall - The Music & Life of Julian Cannonball Adderley
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Vandoren Optimum Alto Saxophone MouthpieceThe Vandoren Optimum series of saxophone mouthpieces is designed to be more free blowing and responsive. This alto sax mouthpiece gives you accurate articulation and total control at all dynamic ranges with precise intonation.These mouthpieces are available in two different facings, the AL3 and the AL4. The AL3 most closely resembles a C* facing and is perfect for students from beginner to intermediate and into advanced. The AL4 is based on the popular A27 from the V5 series. The design is a bit more open and better for professionals or serious, upper-level students. It is similar to C**.Vandoren mouthpieces are known for their high, uniform quality—among the best of the mass produced. The Vandoren line is extensive. It covers all woodwinds and offers designs suited to a variety of playing and musical styles.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I went to a local music store and I tried out a variety of alto saxophone mouthpieces. This mouthpiece out played every single of the other mouthpieces I tried. It has an absolutely beautiful. The sound is not only deep, but almost rich. I had never heard my alto sound so beautiful. Furthermore, all the notes on my saxophone seemed to come out with a little more ease. The more I played this mouthpiece, the more I loved what I was hearing. I loved it so much that I immediately ordered it off WWBW because it was about $20 cheaper. I got the AL4, the AL3 was a little too closed for me.
I've been using a Selma Larry Teal mouthpiece playing a Yamaha 82Z alto sax. A good combo that works well for me when playing classical. When playing soft jazz, I use a Meyer M5 mouthpiece. A short time ago, a friend asked me to try the Vandoren AL4 mouthpiece and provide an opinion. I tried it with a #3 medium Rigotti Gold reed and WOW what a clearly noticeable difference in sound. Naturally, I liked it so much I had to buy one. I tried various ligatures and the one I thought worked best is the Rovner MKIII.C-1RL, lightly tightened (as in snug). When I first used the AL4 mouthpiece the fellows I played with liked the sound and said they heard a clean much darker focused sound, also thinking I may have been using a different sax. I still use the Larry Teal and the Meyer mouthpieces but the AL4 plays a much darker focused sound that seems to fill the room. The AL4 mouthpiece is easily free-blowing and quick to respond. It's a keeper.
I would Compare the Selma Larry Teal, Meyer M5, and the Vandoren AL4 mouthpieces as follows. The Selma Larry Teal is free-blowing and quickly responsive and plays a clean focused sound that's just a tad on the bright side. It's definitely a good versatile mouthpiece. The Meyer M5 is free-blowing and responsive and plays a clean, focused slightly darker sound than the Larry Teal mouthpiece. The Meyer M5 is a good jazz mouthpiece. The Vandoren AL4 is free-blowing and responsive and gives a clean darker focused sound than the Meyer M5. I like it and occasionally use it rather than the Meyer M5. If you like the sound, the Vandoren AL4 could be the one all purpose mouthpiece.
I've played on many mouthpieces. Recently, I went searching for a professional grade mouthpiece. Since I take private lessons, I asked my tutor about a mouthpiece. He gave me a list to try. I ended up going through many of them through people we knew. I found that the AL3 works best. The AL4 is the next one, but the new features are not as beneficial as the AL3. Also, it is very versatile. The mouthpiece is meant for Classical, but like all good mouthpieces, it can't double for Jazz. I will mention that the best way to find a mouthpiece is to borrow/loan one. I recommend the AL3 or Selmer C* depending on which works best. However, for me, the AL3 has worked better.
After 4 years of college I finally came across the Optimum Al3 and all my struggles were resolved. Working on tone is something that is very frustrating for all and automatically it produced a clean and dark tone that the C* and Larry Teal could not give me. Even though those two very popular mouthpieces are chosen by hundreds of thousands of players, this mouthpiece is more affordable and offers a much more rich tone that everyone is seeking. Don't waste your time with the expensive LT, go straight for this mouthpiece. I play them on soprano, alto, and tenor and have got tons of compliments on my rich dark tone.
This is a GREAT mouthpiece - I've played a couple others but none of them give as good of a sound. I get a lot of compliments on my tone now and I think it has a lot to do with the Optimum. It's really clear, dark, smooth, rich, direct - it's great for classical but definitely not for jazz because it's so clean sounding. I got the AL3 and I've had it for about 2 1/2 years and it still sounds great, but the smaller facing is starting to feel like there's not enough flexibility, so I would definitely say for really experienced players or anyone playing on harder reeds (4 or above) that the AL4 would be the way to go.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.