Our Price: $149.99
Sale: $99.99 (33% off)
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Trumpet and Flugelhorn Case
Remaining Quantity: 25
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This instrument or product has been carefully played/used and returned to us in
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the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
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Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
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is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Vandoren V16 Hard Rubber Tenor Saxophone MouthpieceThe V16 series is designed to create depth, power and fullness of sound while providing all the pitch and articulation accuracy that modern players have come to expect. With the V16, you can set the standard for the next generation. It is a versatile mouthpiece with a long facing and a particularly rich tone. it features a 2.50mm tip opening and a long facing length.The Vandoren V16 mouthpiece for tenor saxophone produces a warm, centered sound. It blends well and is ideal for sectional/ensemble playing. Vandoren mouthpieces are known for their high, uniform quality—among the best of the mass produced.
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The V16 is a great mouthpiece for so many reasons it has a big sound can be used in really a lot of styles of music i personal think from all the music i have played it creates a great sound for me and i play many types of music and it can adjust easily. What i like about the hard rubber compared to the metal is where you can really make a huge difference in the dynamic levels the metal version is just loud and know color really anyway by this because it will bring out whatever sound you are looking for
I used to play a rubber link that I chose among around fifty mouthpieces including Bergs, Ponzols, and several other links. For me the true sound of tenor is the rubber link, but all those mouthpieces have the same problem, even if they have a great sound, they are quite hard to control specially for openings like 7 and above. They're quick made and very irregular. The rubber Vandoren V16 has completely solved that control problem, allowing to produce more precise articulation and better nuances, and offering a great Link like sound. Every mouthpiece is perfect and really read friendly. I suggest using it with the Vandoren Optimum mouthpiece.
I recently recorded myself playing my Yannie 991/Vandoren V-16 #7/JaZZ reed # 3. I used a quality digital recorder and placed the mike close enough to capture every nuance. I was blown away with the wide ranged consistency of tonality, accurate pitch, and the endless expressive capabilities. I love the sound. I love the horn. I love the mouthpiece. I love the reed. I can't imagine playing any other set up for combo jazz and big band. I also use it in a classical sax quartet, and the V-16 allows me to blend in very well. I have tried others, but I honestly can't see paying more for a mouthpiece that is not really any better. Oh, I use the Rovner lig, if that makes any difference. Did I mention the very wide dynamic range of this set up? I also have an "8" when I don't have a long gig to play, because it has a slightly "heavier" quality, but with the same projection and expression. I feel as though these pieces were custom built just for me. Don't spend too much money on a mouthpiece unless it makes you a better player.
This mouthpiece is probably the best thing that ever happened to me.(as far as music goes) I play on a Saxophone.com tenor sax model and it roars when the V16 is on it along V16 #3 reeds. I got the T7 which I was surprised to see, was the lowest facing available. But the rich, solid tone this mouthpiece provides is an amazing jazz tone. By talking into the instrument while playing, I can now make a mean, nasty, powerful tone like that raspy sound of Clarence Clemmons. I can listen to the classical jazz stuff and create a prefect match in sound compared to John Coltrane and several other legends. (They?re not lying when they say, "This mouthpiece is designed to imitate the sound response of jazz mouthpieces from the 50's.") All I can say is that if you want an amazing mouthpiece that will allow you to create the prefect TRUE JAZZ sound, choose Vandoren V16.You won't regret it.
Well I used to use one of the Selmer metals and I thought that was just too plain edgy for me. I bought the V16. The first thing that came to my mind was "This is a huge mouthpiece!" I tried it and I was just amazed on the projection I had with a mellow feeling in my sound with the Vandoren JAVA reeds, but once you put some ZZ on that monster, it will roar. I'm planning to get the optimum ligature for the mouthpiece and hope for the best with it. If you are looking for a mouthpiece with some huevos and smoothness, the V16 is a must for you, unless you are a metal type of person I guess...
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.