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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
Vandoren V16 Hard Rubber Tenor Saxophone MouthpieceThe Vandoren mouthpiece for tenor saxophone produces a warm, centered sound. Blends well. Vandoren mouthpieces are known for their high, uniform quality—among the best of the mass produced—and are especially popular among clarinetists. The Vandoren line is extensive. It covers all woodwinds and offers designs suited to a variety of playing and musical styles.
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This mouthpiece is probably the best thing that ever happened to me.(as far as music goes) I play on a Saxophone.com tenor sax model and it roars when the V16 is on it along V16 #3 reeds. I got the T7 which I was surprised to see, was the lowest facing available. But the rich, solid tone this mouthpiece provides is an amazing jazz tone. By talking into the instrument while playing, I can now make a mean, nasty, powerful tone like that raspy sound of Clarence Clemmons. I can listen to the classical jazz stuff and create a prefect match in sound compared to John Coltrane and several other legends. (They?re not lying when they say, "This mouthpiece is designed to imitate the sound response of jazz mouthpieces from the 50's.") All I can say is that if you want an amazing mouthpiece that will allow you to create the prefect TRUE JAZZ sound, choose Vandoren V16.You won't regret it.
The Vandoren V16 Tenor mouthpiece is a great rubber mouthpiece for the price. The mouthpiece has a large chamber opening that lets you play with a large and robust sound. The feel of the mouthpiece in the mouth feels snug and comfortable similar to an old Meyer or Otto link. It comes with no ligature, but a great ligature to try with the mouthpiece is a large Rovner, a Frantois Louis brass or gold chamber ligature, and the Vandoren Optium 16 that has three chambers so you can see which piece will give you the sound you are looking for. The only flaw about the mouthpiece is some players will think it?s too big, but to understand from a big stand point, it?s not as big as an old white Brilhart mouthpiece.
I've played through probably about 30+ combinations of mouthpieces and reeds. The T7 brings new meaning to the word "control". Since I bought this mouthpiece, which was about three months ago, it's allowed my playing to instantly become more free. Its unlocked things on my horn I would've never even attempted to try 6 months prior. I play on the same brand reeds (V16 3's) and just love the tone quality. This piece allows someone to resonate an entire room with a low subtone all the way to screaming up in the 4th AND 5th octave! Vandoren has created yet another great product!
Well I used to use one of the Selmer metals and I thought that was just too plain edgy for me. I bought the V16. The first thing that came to my mind was "This is a huge mouthpiece!" I tried it and I was just amazed on the projection I had with a mellow feeling in my sound with the Vandoren JAVA reeds, but once you put some ZZ on that monster, it will roar. I'm planning to get the optimum ligature for the mouthpiece and hope for the best with it. If you are looking for a mouthpiece with some huevos and smoothness, the V16 is a must for you, unless you are a metal type of person I guess...
This mouthpiece doesn?t have quite the dark, rich sound as it's metal version but still produces a great sound. I use a synthetic studio cut Legere reed on this mouthpiece and now my altissimo and low notes are flawless.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.
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