Our Price: $14.99
Sale: $12.95 (14% off)
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Best Of The Beatles For Trumpet
Remaining Quantity: 5
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
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Vandoren ZZ Tenor Saxophone ReedsVandoren ZZ tenor saxophone reeds are designed to supply what are often mutually opposing characteristics in a reed--depth of tone and immediate response. Added to this seemingly impossible solution to one of the reed musician's most enduring conundrums is the fact that ZZ reeds are free-blowing and easy to play. Impossible you say? Put the lie to this bold claim if you can. All that’s left for you to do is play to become a believer.Vandoren's ZZ reeds feature a unique relationship between the heart of the reed, where the tone is produced, and the thickness of the tip, which is responsible for vibration. The result is a reed with extraordinary tone and immediate response that is free-blowing even in the altissimo range. The ZZ reeds accomplish this immediate response without sacrificing brightness or tone quality.Professional saxophonists like L.A. recording artist Gary Foster, Delmark recording artist Frank Catalano, and many others have made the switch to Vandoren’s ZZ reeds for both live performances and studio recordings. According to a Vandoren reeds chart, ZZ reeds feel one-half strength less thick in comparison to Vandoren Traditional reeds, and run even in strength with JAVA reeds. For example, a Vandoren ZZ strength 3 reed would feel equivalent to a Vandoren Traditional in strength 2.5.
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These reeds speak very well and have nice projection. The only part that players should be aware of is that these reeds tend to run soft in strength like the VanDoren Java reeds. You may find that you need to order a 1/2 to full strength higher than you would with the VanDoren Traditional reeds.
These are some great reeds. They have a bit more harmonic buzz than most brands, which is a good thing. Like all cane reeds, they are fairly inconsistent but not badly so. I think the strengths may run just a tad bit soft, but probably not enough to justify going up a strength. I think they'd work particularly well for player who use darker mpc's. This reed may help clear up the sound. Definitely worth trying.
I have found these reeds to be excellant on an Otto Link Super Tone Master. They produce an entirely different sound from other "jazz" reeds like Rico Jazz Select and La Voz and really let the Link open up. It is more buzzy, but it is a good buzz and does not take over the sound, only add to it. As the other reviewer found, they do tend to run a tad soft, but I think that is part of what makes them sound different. A harder ZZ reacts and sounds more like a different type of reed, but your results may vary. Highly recomended.
I have been playing alto for several years, but always loved the phat jazz sound of tenor saxes, so I bought one. I bought my tenor sax from WWBW because of their impeccable customer service and return/exchange policy. I have been searching for that reedy, buzzy sound that I love so much and had the wonderful opportunity to hear when I heard Richard Elliot in person. There are a million mouthpiece/reed combinations. Am I wrong? I think not. I came across a tenor Strathon Adjustone mouthpiece on the internet and jumped on it. I then bought some ZZ 3.5 reeds. I took a flexible fingernail file (the kind with the foam center) and used the smooth side to sand down the heart of the ZZ 3.5 to let the reed "move". I ended up with that buzzy jazz sound that everybody is looking for. My search is over!!
These are the best reeds that I found after trying many types. However, they go flat vary quickly (went through one weekly) in high altitude. If one is willing to accept this, then they shall gain a very high performing jazz reed which can permit many different licks to be played with exceptional ease.
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