Vic Firth Concert Sticks & Mallets
Vic Firth TG01 General Bass Drum Mallets
Every item from Tom Gauger represents a success in either solving a technical problem or achieving desired sound. They're practical, they've been used all over the world for 30 years, and they may be right for you!
$30.99 - $75.99
Vic Firth Becken Cymbal Mallet
Named after the German world for "cymbal", these mallets are uniquely designed for playing suspended cymbals. Crafted in maple.
$25.99 - $27.99
Vic Firth EP2 Intermediate Education Pack
The EP2 contains a Vic Firth stick bag, equipped with a pair of SD2 Bolero American Custom Drum Sticks, M3 medium Vibraphone/Marimba Mallets, M6 Bell & Xylophone Mallets and T3 Staccato timpani mallets.
Vic Firth American Custom Timpani Mallets
These six models reflect Vic's forty plus years of experience as Solo Timpanist with the Boston Symphony Orchestra. Each mallet is turned from a single piece of rock maple, which eliminates a core that could rattle and the need for a screw-on washer to secure the head. Coupled with round seamless heads, they produce bigger and brighter sounds.
$14.99 - $25.99
Vic Firth EP1 Educational Pack
The EP1 Educational Pack contains a Vic Firth stick bag and is equipped with a pair of SD1 American Custom concert snare drum sticks, M5 soft Vibraphone/Marimba Mallets and M14 soft Xylophone & Bell Mallets.
Vic Firth M14 Soft Poly Ball Mallets
Soft for a poly ball mallet, the 1 1/8" ball works great for xylophone or even bells. They have black birch shafts for rigidity and consistency.
Vic Firth Round Head Keyboard Mallets
The medium-hard yarn wool round head is perfect for all-around playing and works well for Vibraphone or Marimba. They have black birch shafts for rigidity and consistency.
Vic Firth Mushroom Head Keyboard Mallets
This medium hard yarn wool mushroom head mallet for all-around playing works well for Vibraphone or Marimba. They have black birch shafts for rigidity and consistency.
Vic Firth Tom Gauger Snare Drumsticks
Tom Gauger developed his line of mallets during his 35+ year career with the Boston Symphony and Boston Pops Orchestras and as an educator at Boston University and the Boston University Tanglewood Institute. Each product was developed on the job and for the job, designed to solve a technical problem or achieve a desired sound.
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