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Waves Guitar Tool Rack TDM License
OVERVIEW
25 classic and contemporary guitar amps, 7 bass amps, 29 cabs, and 26 stomps inside your computer.
With this Guitar Tool Rack, Waves has captured some of the world's hottest vintage and contemporary amps-from Fender to Marshall, Mesa/Boogie to Vox, and more-using revolutionary sampling techniques that go way beyond standard modeling. The result is some of the most amazing guitar tones you will ever hear coming out of your computer. This is the software only (TDM version).
Neil Citron Amps NEW!
Legatron Clean Based on a customized Carvin Legacy
Legatron Crunch Based on a customized Carvin Legacy
Thermitron Clean Based on an Ibanez TN120 Thermion
Thermitron Crunch Based on an Ibanez TN120 Thermion
Plexitron Lite Based on a modified 60s 100W Marshall Plexi
Plexitron Crunch Based on a modified 60s 100W Marshall Plexi
Clean Amps
Direct Full-frequency, transparent tone, with light EQ and a hint of dynamics processing.
Clean Based on a 1959 tweed Fender Bassman, smooth and warm, with shimmering highs and luscious overtones.
Sweet Modeled on a 1968 Gibson Skylark, this small tube amp delivers a clear sound with a clean bite.
Punchy Based on the stack master, a 100W Marshall head, for a clean rhythm tone.
Warm An amazing jazz and ballad tone based on a boutique amp from Paul Reed Smith's private collection.
Drive Amps
Edgy Inspired by a 1980 Vox AC-30 TB-2, for a big, rich sound with more than just a touch of attitude.
Cream Based on a 1966 Ampeg Gemini II, with bright, detailed tone and a unique low frequency bloom.
Drive Modeled on a 1964 blackface Fender Super Reverb, this is the go-to amp for bluesy growl, fat saturated sounds, and everything in between.
Overdrive Based on a 1980 Marshall JMP, this is the heavy rock sound in all its glory.
Scream Based on a boutique amp from Paul Reed Smith's private collection, for killer, overdriven bluesy tones.
High Gain Amps
Crush Inspired by a modified Marshall MK2 50W stack head, this is a hardwired gain machine.
Monster Modeled on a Marshall 100W Stack set at full gain for unique undertones.
Inferno A virtual model with very high distortion and extremely fast cleanup, great for modern thrash Metal.
Shredder Based on a Marshall JMP1 preamp, this blazing metal tube tone is your license to shred.
Scorch Based on a boutique amp from Paul Reed Smith's private collection, ideal for solid rocking rhythm chords.
Supernatural Modeled on a boutique amp from Paul Reed Smith's private collection, this overdriven lead tone sustains like a black magic woman.
Hot Inspired by a KochCombo, perfect for aggressive high gain sounds, scorching riffs, and stinging solos.
Crunch Based on a custom Garciafrom Paul Reed Smith's personal collection, tailor-made for sizzling lead lines and heavy sustained walls of grunge.
Modern Modeled on a Mesa Dual Rectifier Solo Head, perfect for cutting-edge solo tones and drop-tuned power chords.
23 Custom Guitar Cabinets
Play through two cabs. Record with two different mics. Flip the phase. With a huge range of speaker cabinets and perfectly matched mics, this Guitar Tool software gives you the power to mix and match equipment with unprecedented ease.
14 Top Studio Mics
GTR3 delivers the unique performance of the world's most sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA, Royer, and more.
Neil Citron Amps NEW!
Legatron Clean Based on a customized Carvin Legacy
Legatron Crunch Based on a customized Carvin Legacy
Thermitron Clean Based on an Ibanez TN120 Thermion
Thermitron Crunch Based on an Ibanez TN120 Thermion
Plexitron Lite Based on a modified 60s 100W Marshall Plexi
Plexitron Crunch Based on a modified 60s 100W Marshall Plexi
Clean Amps
Direct Full-frequency, transparent tone, with light EQ and a hint of dynamics processing.
Clean Based on a 1959 tweed Fender Bassman, smooth and warm, with shimmering highs and luscious overtones.
Sweet Modeled on a 1968 Gibson Skylark, this small tube amp delivers a clear sound with a clean bite.
Punchy Based on the stack master, a 100W Marshall head, for a clean rhythm tone.
Warm An amazing jazz and ballad tone based on a boutique amp from Paul Reed Smith's private collection.
Drive Amps
Edgy Inspired by a 1980 Vox AC-30 TB-2, for a big, rich sound with more than just a touch of attitude.
Cream Based on a 1966 Ampeg Gemini II, with bright, detailed tone and a unique low frequency bloom.
Drive Modeled on a 1964 blackface Fender Super Reverb, this is the go-to amp for bluesy growl, fat saturated sounds, and everything in between.
Overdrive Based on a 1980 Marshall JMP, this is the heavy rock sound in all its glory.
Scream Based on a boutique amp from Paul Reed Smith's private collection, for killer, overdriven bluesy tones.
High Gain Amps
Crush Inspired by a modified Marshall MK2 50W stack head, this is a hardwired gain machine.
Monster Modeled on a Marshall 100W Stack set at full gain for unique undertones.
Inferno A virtual model with very high distortion and extremely fast cleanup, great for modern thrash Metal.
Shredder Based on a Marshall JMP1 preamp, this blazing metal tube tone is your license to shred.
Scorch Based on a boutique amp from Paul Reed Smith's private collection, ideal for solid rocking rhythm chords.
Supernatural Modeled on a boutique amp from Paul Reed Smith's private collection, this overdriven lead tone sustains like a black magic woman.
Hot Inspired by a KochCombo, perfect for aggressive high gain sounds, scorching riffs, and stinging solos.
Crunch Based on a custom Garciafrom Paul Reed Smith's personal collection, tailor-made for sizzling lead lines and heavy sustained walls of grunge.
Modern Modeled on a Mesa Dual Rectifier Solo Head, perfect for cutting-edge solo tones and drop-tuned power chords.
23 Custom Guitar Cabinets
Play through two cabs. Record with two different mics. Flip the phase. With a huge range of speaker cabinets and perfectly matched mics, this Guitar Tool software gives you the power to mix and match equipment with unprecedented ease.
14 Top Studio Mics
GTR3 delivers the unique performance of the world's most sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA, Royer, and more.
FEATURES
- 25 Guitar amps
- 7 Bass amps
- 29 Cabs
- 26 Stomps
- Multiple mics and jic settings
- Realistic dynamic response
- Expert presets and FX chains
- Sync-to-Host BPM effects
- Drag-and-drop simplicity
- Realtime MIDI control
- Standalone or DAW ready
SPECIFICATIONS
System RequirementsPC: - Intel P4 2.8GHz/AMD Athlon XP 340o, WinXP 32-bit SP2, 1GB of RAM, 1024x768 32-bit screen resolution
- Mac: G5 2x2.5 GHz, OS-X 10.4.9, 512 MB of RAM, 1024x768 32-bit screen resolution
- Intel-based Mac: Core Duo 1.83, OS-X 10.4.9, 512 MB of RAM, 1024x768 32-bit screen resolution
- iLok authorization required on all systems
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This is the software only (TDM version).<BR/><BR/><strong>Neil Citron Amps NEW!<BR/> </strong><BR/><strong>Legatron Clean</strong> Based on a customized Carvin Legacy<BR/><strong>Legatron Crunch</strong> Based on a customized Carvin Legacy<BR/><strong>Thermitron Clean </strong>Based on an Ibanez TN120 Thermion<BR/><strong>Thermitron Crunch</strong> Based on an Ibanez TN120 Thermion<BR/><strong>Plexitron Lite</strong> Based on a modified 60s 100W Marshall Plexi<BR/><strong>Plexitron Crunch</strong> Based on a modified 60s 100W Marshall Plexi<BR/><BR/><strong>Clean Amps<BR/> </strong><BR/><strong>Direct</strong> Full-frequency, transparent tone, with light EQ and a hint of dynamics processing.<BR/><strong>Clean</strong> Based on a 1959 tweed Fender Bassman, smooth and warm, with shimmering highs and luscious overtones.<BR/><strong>Sweet</strong> Modeled on a 1968 Gibson Skylark, this small tube amp delivers a clear sound with a clean bite.<BR/><strong>Punchy</strong> Based on the stack master, a 100W Marshall head, for a clean rhythm tone.<BR/><strong>Warm</strong> An amazing jazz and ballad tone based on a boutique amp from Paul Reed Smith's private collection.<BR/><BR/><strong>Drive Amps</strong> <BR/><strong>Edgy</strong> Inspired by a 1980 Vox AC-30 TB-2, for a big, rich sound with more than just a touch of attitude.<BR/><strong>Cream</strong> Based on a 1966 Ampeg Gemini II, with bright, detailed tone and a unique low frequency bloom.<BR/><strong>Drive</strong> Modeled on a 1964 blackface Fender Super Reverb, this is the go-to amp for bluesy growl, fat saturated sounds, and everything in between.<BR/><strong>Overdrive</strong> Based on a 1980 Marshall JMP, this is the heavy rock sound in all its glory.<BR/><strong>Scream</strong> Based on a boutique amp from Paul Reed Smith's private collection, for killer, overdriven bluesy tones.<BR/><BR/><strong>High Gain Amps</strong><BR/><strong>Crush</strong> Inspired by a modified Marshall MK2 50W stack head, this is a hardwired gain machine.<BR/><strong>Monster</strong> Modeled on a Marshall 100W Stack set at full gain for unique undertones.<BR/><strong>Inferno</strong> A virtual model with very high distortion and extremely fast cleanup, great for modern thrash Metal.<BR/><strong>Shredder</strong> Based on a Marshall JMP1 preamp, this blazing metal tube tone is your license to shred.<BR/><strong>Scorch</strong> Based on a boutique amp from Paul Reed Smith's private collection, ideal for solid rocking rhythm chords.<BR/><strong>Supernatural</strong> Modeled on a boutique amp from Paul Reed Smith's private collection, this overdriven lead tone sustains like a black magic woman.<BR/><strong>Hot</strong> Inspired by a KochCombo, perfect for aggressive high gain sounds, scorching riffs, and stinging solos.<BR/><strong>Crunch</strong> Based on a custom Garciafrom Paul Reed Smith's personal collection, tailor-made for sizzling lead lines and heavy sustained walls of grunge.<BR/><strong>Modern</strong> Modeled on a Mesa Dual Rectifier Solo Head, perfect for cutting-edge solo tones and drop-tuned power chords.<BR/><BR/><strong>23 Custom Guitar Cabinets</strong><BR/>Play through two cabs. Record with two different mics. Flip the phase. With a huge range of speaker cabinets and perfectly matched mics, this Guitar Tool software gives you the power to mix and match equipment with unprecedented ease.<BR/><BR/><strong>14 Top Studio Mics</strong><BR/>GTR3 delivers the unique performance of the world's most sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA, Royer, and more.<BR/><BR/><strong>Neil Citron Amps NEW!<BR/> </strong><BR/><strong>Legatron Clean</strong> Based on a customized Carvin Legacy<BR/><strong>Legatron Crunch</strong> Based on a customized Carvin Legacy<BR/><strong>Thermitron Clean </strong>Based on an Ibanez TN120 Thermion<BR/><strong>Thermitron Crunch</strong> Based on an Ibanez TN120 Thermion<BR/><strong>Plexitron Lite</strong> Based on a modified 60s 100W Marshall Plexi<BR/><strong>Plexitron Crunch</strong> Based on a modified 60s 100W Marshall Plexi<BR/><BR/><strong>Clean Amps<BR/> </strong><BR/><strong>Direct</strong> Full-frequency, transparent tone, with light EQ and a hint of dynamics processing.<BR/><strong>Clean</strong> Based on a 1959 tweed Fender Bassman, smooth and warm, with shimmering highs and luscious overtones.<BR/><strong>Sweet</strong> Modeled on a 1968 Gibson Skylark, this small tube amp delivers a clear sound with a clean bite.<BR/><strong>Punchy</strong> Based on the stack master, a 100W Marshall head, for a clean rhythm tone.<BR/><strong>Warm</strong> An amazing jazz and ballad tone based on a boutique amp from Paul Reed Smith's private collection.<BR/><BR/><strong>Drive Amps</strong> <BR/><strong>Edgy</strong> Inspired by a 1980 Vox AC-30 TB-2, for a big, rich sound with more than just a touch of attitude.<BR/><strong>Cream</strong> Based on a 1966 Ampeg Gemini II, with bright, detailed tone and a unique low frequency bloom.<BR/><strong>Drive</strong> Modeled on a 1964 blackface Fender Super Reverb, this is the go-to amp for bluesy growl, fat saturated sounds, and everything in between.<BR/><strong>Overdrive</strong> Based on a 1980 Marshall JMP, this is the heavy rock sound in all its glory.<BR/><strong>Scream</strong> Based on a boutique amp from Paul Reed Smith's private collection, for killer, overdriven bluesy tones.<BR/><BR/><strong>High Gain Amps</strong><BR/><strong>Crush</strong> Inspired by a modified Marshall MK2 50W stack head, this is a hardwired gain machine.<BR/><strong>Monster</strong> Modeled on a Marshall 100W Stack set at full gain for unique undertones.<BR/><strong>Inferno</strong> A virtual model with very high distortion and extremely fast cleanup, great for modern thrash Metal.<BR/><strong>Shredder</strong> Based on a Marshall JMP1 preamp, this blazing metal tube tone is your license to shred.<BR/><strong>Scorch</strong> Based on a boutique amp from Paul Reed Smith's private collection, ideal for solid rocking rhythm chords.<BR/><strong>Supernatural</strong> Modeled on a boutique amp from Paul Reed Smith's private collection, this overdriven lead tone sustains like a black magic woman.<BR/><strong>Hot</strong> Inspired by a KochCombo, perfect for aggressive high gain sounds, scorching riffs, and stinging solos.<BR/><strong>Crunch</strong> Based on a custom Garciafrom Paul Reed Smith's personal collection, tailor-made for sizzling lead lines and heavy sustained walls of grunge.<BR/><strong>Modern</strong> Modeled on a Mesa Dual Rectifier Solo Head, perfect for cutting-edge solo tones and drop-tuned power chords.<BR/><BR/><strong>23 Custom Guitar Cabinets</strong><BR/>Play through two cabs. Record with two different mics. Flip the phase. With a huge range of speaker cabinets and perfectly matched mics, this Guitar Tool software gives you the power to mix and match equipment with unprecedented ease.<BR/><BR/><strong>14 Top Studio Mics</strong><BR/>GTR3 delivers the unique performance of the world's most sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA, Royer, and more.",
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