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Item# 485441
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Description
Over 50 audio production plug-ins to give your Pro Tools projects professional results.
  • Over 50 plug-ins covering a wide range of music production tools for creating polished projects
    All are PC and Mac compatible and support TDM

    AudioTrack
    Peak reference compression with automatic gain compensation
    Double precision bit resolution processing
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    C1 Parametric Compander Controls
    3 Plug-in Modules: Compressor/Expander, Gate/Expander, Filter/EQ
    Split-band dynamics
    Internal sidechaining
    External sidechaining (Pro Tools only)
    Look-ahead feature for precision transient processing
    Up to 24-bit/192kHz resolution (Compressor and Gate only)
    Mono and Stereo components

    C4 Multiband
    4 parametric bands
    ARC Auto Release Control
    Double precision bit resolution processing
    Up to 24-bit/192kHz resolution (TDM 24/96 Accel only)
    Mono and Stereo components

    Waves Center
    Post Production:
    Enhance dialog or narration
    Control the ambience/reverb of stereo location recordings
    Improve mono compatibility

    Mixing and Mastering:
    Bring out the lead vocals in a finished mix
    Re-image stereo drum overheads
    Balance stereo recordings of individual or groups of acoustic instruments
    Widen or narrow the stereo spread

    DJ:
    Remove vocals for karaoke

    CLA-2A Compressor/Limiter
    Compressor and Limiter modes
    Zero latency
    Sidechain frequency filter
    Up to 24-bit/192kHz resolution
    Mono and Stereo components
    Remove instrumental tracks for remixes and mash-ups
    Manipulate samples and drum loops

    CLA-3A Compressor Limiter
    Compressor and Limiter modes
    Zero latency
    Sidechain frequency filter
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    CLA-76 Blacky & Bluey Compressors/Limiters
    Superfast attack
    Exclusive ALL control
    Pre-amp distortion modeling
    Zero latency
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    DeBreath
    Unique template-matching algorithm for breath detection
    Breath and Energy display graphs
    Voice-only or Breath-only monitoring
    Up to 24-bit/96kHz resolution
    Mono only
    Supports RTAS, Audio Suite, VST, AU

    DeEsser
    Sharp sidechain filters
    Wide-band or Split compression modes
    Audio or Sidechain monitoring
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    Doppler
    Auto-detection or manual triggering
    Creative click-and-drag simplicity
    Energy, Manual, Continuous Cycling, and One-shot modes
    Reverb with Time and Brightness controls
    Up to 24-bit/48kHz resolution
    Mono-to-Stereo and Stereo components

    Doubler
    2 Plug-in Components: Two-Voice and Four-Voice
    Up to 24-bit/192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
    Mono, Mono-to-Stereo, and Stereo components

    Enigma
    3 Plug-in Modules: Notch, Modulator, and Feedback
    Tempo Sync
    Up to 24-bit/192kHz resolution
    Mono, Mono-to-Stereo and Stereo components

    GTR
    25 guitar amps
    7 bass amps
    29 cabs
    26 stomps
    Multiple mics and mic settings
    Custom hardware interface
    Realistic dynamic response
    Expert presets and FX chains
    Sync-to-Host BPM effects
    Drag-and-drop simplicity
    Realtime MIDI control
    Standalone or DAW ready

    H-Comp Controls
    Analog modeled release behavior
    Wet/Dry mix for easy parallel compression
    Unique transient pass-through punch control
    Exclusive BPM-sync release function
    Analog character modes
    Output limiter/clipper modes
    External sidechain support

    H-Delay
    Up to 3500ms delay time
    Variable pitch delay time behavior
    Analog character and LoFi modes
    Infinite feedback support
    LFO-controlled pitch modulation
    Tap Pad for easy delay time setting
    Sync-to-host or manual BPM
    HiPass and LoPass filters
    Full MIDI support

    IR-L
    RT60 extends reverb time up to four times while preserving natural
    envelope and frequency content
    Over 100 Impulse Responses
    Upgradeable to IR1 or IR360°
    Double precision bit resolution processing
    Up to 24-bit/96kHz resolution
    Mono, Mono-to-Stereo and Stereo components

    L1 Ultramaximzer Controls
    2 Plug-in Components: L1 Ultramaximizer and L1 Ultramaximizer+
    IDR Increased Digital Resolution dither with noise shaping filter
    Double precision bit resolution processing
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    L2 Ultramaximizer
    Manual and ARC Automatic Release Control
    IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    Double precision bit-resolution processing
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    L3 Multimaximizer
    PLMixer Peak Limiting Mixer Technology
    Linear Phase EQ for sweet highs and punchy lows
    IDR Increased Digital Resolution with double precision bit
    re-quantization and dither with 9th-order noise shaping filter
    Master and Individual ARC Automatic Release Controls
    Also includes the L3 Ultramaximizer
    Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
    Mono and Stereo components

    L3LL Multimaximiser
    5-Band crossover with phase-compensated filters
    IDR Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    Complete L3 preset sharing and saving
    ARC Automatic Release Control
    Double precision bit resolution processing
    Up to 24-bit/96kHz resolution (TDM 24/48 Accel only)
    Mono and Stereo components

    L316 Multimaximizer
    Intuitive Paragraphic interface
    Built-in linear phase equalizer
    ARC Automatic Release Control
    IDR Increased Digital Resolution with double precision bit re-quantization
    and dither with 9th-order noise shaping filter
    Linear phase filtering for maximum output, free of phase distortion
    Up to 24-bit, 96kHz resolution
    Mono and Stereo components
    Supports

    Linear Phase Equalizer
    2 plug-in components: Low-band component and Broadband component
    Nine linear phase filter types
    Five bands of paragraphic equalization, plus dedicated low frequency band
    +/- 30dB per band gain change range
    Double precision bit resolution processing
    Up to 24-bit/96kHz resolution (TDM 24/96 Accel mono only)
    Mono and Stereo components

    Linear Phase Multiband
    5 discrete bands
    ARC Automatic Release Control
    Double precision-bit resolution processing
    Up to 24-bit/96kHz resolution (TDM 24/96 Accel only)
    Mono and Stereo components

    MaxxBass
    Extends perceived bass response by up to 1.5 octaves
    Preserves the dynamic range and character off the original bass
    Mixed Output, MaxxBass, and Original bass monitoring
    Up to 24-bit/192kHz resolution
    Mono and Stereo components

    MaxxVolume
    High-level compression
    Low-level compression
    Gating
    Leveling (Auto Gain Control)
    Double precision bit resolution processing
    Up to 24bit 192kHz resolution (TDM 24/96 only)
    Mono and Stereo components

Waves Horizon TDM/SOUNDGRID Audio Production Plug-In Bundle
Waves Horizon TDM is a collection of over 50 plug-ins for Pro Tools that gives computer-based engineers a versatile collection of music production tools to bring out the best of each and every performance. If you need the warm incomparable sound of vintage compressors for punch and power. It's in here. You need precision-modeled EQs that add color and character? It's in here. You need state-of-the-art sound mastering processors to give your projects that final shimmer and shine? You guessed it. It's in here. Check out the Horizon Bundle and you'll see it is a panoramic array of music software plug-ins that'll help you be a more complete audio production professional.

AudioTrack
AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plug-in. With equalization, gating, and compression, it's ideal for multimedia, voiceovers, project studios, and more.

C1 Parametric Compander
With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true audio production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

C4 Multiband
The ultimate multiband dynamics processor, the C4 does it all: 4 bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from Waves' acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.

Waves Center
Ideal for final mixes and mastering, Waves Center is an innovative processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.

Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically rebalance your spatial imagery. Adjustable punch, high-frequency, and low-frequency controls let you enhance detail with maximum impact.

Get centered or get sidetracked. Choose sides or play it down the middle. Find the middle ground, or get a little something on the side. With Waves Center, you really can play the (stereo) field.

CLA-2A Compressor/Limiter
Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the original's smooth, frequency-dependent behaviors that have made it a favorite of engineers everywhere. Like the mid-'60s classic, the CLA-2A sounds great on guitars and bass, and really shines on vocals. Top it all off with Chris Lord-Alge's personal presets, and seemingly limitless instantiations, and you've got a compressor/limiter that surpasses its inspiration.

CLA-3A Compressor Limiter
Based on the early '70s solid-state compressor known for its unique and highly transparent compression curve, the CLA-3A delivers the quick response and the subtle harmonic distortion for which the original is world-renowned. And, just like the original, the CLA-3A is the bomb on bass, as well as on guitars and vocals. But unlike the original, you can fire up as many instances as your system can handle.

CLA-76 Blacky & Bluey Compressors/Limiters
Inspired by two highly-desirable revisions of the famed mid-'60s Class A line-level limiting amplifier, both versions of the CLA-76 ("Blacky" and "Bluey") offer the superfast attack (as quick as 50 microseconds) that made the originals studio legends. With an exclusive "ALL" control that recreates the original's explosive "All-Ratio-Buttons-In" mode, plus modeled pre-amp distortion for that extra edge, the CLA-76 delivers some of the most powerful drum sounds imaginable.

DeBreath
Singers insist on breathing—even when it spoils a perfectly good take. With DeBreath, you can truly take their breath away. The DeBreath plug-in uses a unique algorithm that automatically detects and separates a vocal take into two distinct tracks: only voice and only breath. Now you can control how much breath you want on your vocal track, and how you want it processed. You can even add room tone where breaths have been removed or reduced. And DeBreath isn't just for singers; it's also a great time-saver for voiceovers and multimedia.

DeEsser
When it comes to reducing excess sibilance ("ess" and "shh" sounds) from vocal tracks, nothing compares to Waves DeEsser plug-in. Inspired by vintage gear for precision de-essing and high-frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

Doppler
Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With the Doppler plug-in, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

Doubler
When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

Enigma
Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

GTR Amp Modeler
From Fender to Marshall, Mesa Boogie to Vox, and more, Waves has captured the world's hottest vintage and contemporary amps, using revolutionary sampling techniques that go way beyond standard modeling. The result is an amazing collection of guitar tones. With GTR3's host-free Standalone ToolRack, all you need to do is plug in and play.

H-Comp Hybrid Compressor
H-Comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plug-in can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.

H-Delay
From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.

IR-L
When you need to recreate the authentic sound of actual acoustic spaces, there's no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

L1 Ultramaximizer Limiter
This is the plug-in that started it all. The limiter plug-in provides look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

L2 Ultramaximizer Limiter
For mixing, mastering, and more, the L2's legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra-high resolution give you the power and extra gain you need with crystal-clear results every single time.

L3 Multimaximizer Limiter
When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That's where the L3 Multimaximizer comes in: The world's first auto-summing multi-band limiter for all-in-one mastering.

L3 Ultramaximizer Limiter
The L3 Ultramaximizer is a special edition of the L3. It delivers the same great sound as the L3 Multimaximizer, using an intuitive, streamlined interface.

L3LL Multimaximiser Limiter
Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL's PLMixer Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5-band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.

L3LL Ultramaximizer Limiter
The L3-LL Ultramaximizer is a special edition of the L3-LL which is included with Mercury, Diamond, and Platinum bundles covered by Waves Update Plan. It delivers the same great sound as the L3-LL Multimaximizer using an intuitive, streamlined interface.

L316 Multimaximizer Limiter
Presenting the newest member of Waves' acclaimed L-Series: the L3-16 Multimaximizer, a 16-band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer Peak Limiting Mixer technology, the L3-16 maximizes your sound with pin-point precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you'll stand out from the crowd, loud and clear.

Linear Phase Equalizer
Conceived and created with mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.

Linear Phase Multiband
Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.

MaxxBass
When you need to seriously pump up your lows, choose MaxxBass, a bass enhancement technology used on numerous hit records and major motion pictures. MaxxBass uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies.

MaxxVolume
The very first plug-in of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and audio mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.
It's a Vocal tool, with automatic level riding that keeps your vocal in focus.
It's an Instrument tool, controlling the dynamic range without the artifacts of compressors and limiters.
It's a Broadcast tool, bringing any program to a fixed destination level; ideal for radio and TV, podcasting, internet streaming, and more.=
When time and fidelity is of the essence, turn to MaxxVolume, and turn it up.

MetaFlanger
There's never been anything quite like the sound of great vintage tape flanging and phaser emulation—until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.

MondoMod
MondoMod utilizes an exclusive combination of linked AM, FM, and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

Morphoder
Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.

MV2
With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it's never been easier to maximize your volume.

PAZ Analyzer
Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio's stereo positioning, frequency spread, and Peak/RMS levels.

PS22 Stereo Maker
Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.

PuigChild 660 & 670 Compressor/Limiter
Throughout the vinyl era, the original Fairchild 670 compressor was ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We've captured every distinctive nuance of Jack Joseph Puig's Fairchild 670 along with every detail of its rich harmonic complexity.

PuigTec EQP-1A Program Equalizer
The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig's original hand-crafted unit, heard on dozens of popular recordings from artists including Weezer, Black Crowes, and Panic! At The Disco.

PuigTec MEQ-5 Midrange Equalizer
The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full-range vintage EQ chain.

Q10 Paragraphic Equalizer
The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

Q-Clone EQ Modeler
There's nothing like the warmth and character of vintage hardware equalizers. With Q-Clone, you can dig into its massive library of classic EQs, or use the Q-Capture component to model your own hardware favorites. Plus, you can use your captured hardware freely throughout your session, adjusting the sound of each track as if you had dozens of that same equalizer. With so many EQs at your fingertips, Q-Clone is truly an equalization revolution.

Renaissance Axx Compressor
Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

Renaissance Axx Bass
Renaissance Bass delivers Waves patented MaxxBass psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier.

Renaissance Axx Channel
A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plug-in, Renaissance Channel is a complete audio mixing chain that delivers extreme flexibility and performance.

Renaissance Compressor
Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from Waves' renowned C1 Parametric Compander and the legendary L1 Ultramaximizer.


Renaissance DeEsser
Nothing ruins a great vocal track like excess "ess" and "shh" sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.

Renaissance Equalizer
Featuring realtime EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

Renaissance Reverb
With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers quality sound and performance with extraordinary density and texture.

Renaissance Vox
A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

S1 Stereo Imager
Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

SoundShifter
The world's most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.

SuperTap
Inspired by the legacy of the classic analog tape delays, SuperTap's extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

TransX
Perfect for breathing new life into drum loops, accentuating, or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.

TrueVerb
Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

Waves Tune LT
Waves Tune LT is a special edition of Waves Tune that delivers the same great sound as Waves Tune, yet uses an intuitive interface with simplified controls.

UltraPitch
When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

UM225/UM226 Stereo-to-Surround Processors
From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today's full, multi-speaker environments. And when the original multitrack sessions aren't available, they have to work with stereo mixes.

Presenting the UM225 and UM226 stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.

Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360° mix.

Using patented center- and rear-channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.

For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to the new HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are incredibly versatile, stereo-to-surround processors that give you exceptional audio quality.

V-Comp Compressor
Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.

Vocal Rider
Vocal Rider is the first of Waves pioneering series of Mix tools. Simply put, Vocal Rider rides the levels of vocal tracks, automatically.

Instead of manually riding the physical mixing console fader, or tediously drawing in each individual level change on a DAW track, Vocal Rider does it for you, making it a true timesaver.

All you need to do is set the target range of the vocal level in relation to the rest of the mix. Then, Vocal Rider compensates for all deviations from the target, intelligently raising or lowering the vocal volume, instantly. And, unlike everyday compression, Vocal Rider adds absolutely no additional coloring to the track.

The Vocal Rider Live component includes an exclusive Spill control to differentiate the vocal from background instrumentation and noise, for better tracking and performance.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • AudioTrack Controls
    Input Gain Fader: -inf. to 0dB
    4-Band EQ:
    On/Off Switch per band
    Type High Pass, Low Shelf, Bell, High Shelf and Low Pass filter types per band
    Gain: -18dB to +18dB per band
    Frequency: 16Hz to 21,357Hz per band
    Q: 0.5 to 30 (bell filter only)
    Compressor/Expander:
    Threshold: -52dB to 0dB
    Ratio: 0.5:1 to 40:1
    Attack: 0.1ms to 1,000ms
    Release: 1ms to 10,000ms
    Gate:
    Threshold: -inf. to 0dB
    Floor: -inf. to 0dB
    Attack: 0.1ms to 1,000ms
    Release: 1ms to 10,000ms
    Input Energy Meter: -80dB to 0dB, Post EQ including compressor and gate threshold indicators
    Attenuation/Expansion Meter: -48dB to +12dB
    Output Gain Fader: -24dB to +12dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    C1 Parametric Compander Controls
    (Compressor/Expander)
    Bypass: Enables or disables the module
    LowRef Mode: Low Level Reference Conventional compressor operating mode
    PeakRef: Mode Peak Level Reference Preserves peak levels (auto makeup gain)
    Make-up Gain: -40dB to +40dB
    Threshold: -100dB to 0dB
    Ratio: 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
    Cancellation Mode: -50:1 to -5:1 to cancel out very loud signals
    Attack: 0.01ms to 1,000ms
    Release: 1ms to 10,000ms
    PDR: Program Dependant Release
    EQ Mode: Wideband, Sidechain or Split
    Gain Reduction Meter: -36dB to +24dB
    Control Level Meter: -100dB to 0dB
    Gate/Expander:
    Bypass: Enables or disables the module
    Gate/Expander Control: Switches between Gate and Expander modes
    Floor: -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
    Gate Thresholds: Gate Open and Gate Close
    Attack: 0.01ms to 1,000ms
    Release: 1ms to 10,000ms
    Hold: 0.01ms to 5,000ms
    EQ Mode: Wideband, Sidechain or Split
    Gain Reduction Meter: -108dB to +12dB
    Control Level Meter: -100dB to 0dB

    Parameter Linking: Links the Compressor/Expander and Gate/Expander controls
    Filter/EQ:
    Two Complementary Bands: Active/Sidechain path, and passive path
    Crossover Slope: 18dB/octave to 36dB/octave
    Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
    Frequency: 16Hz to 21Khz
    Q: 0.1 to 0.6

    Lookahead: Yes/No
    Key Mode: Stereo, Left keys Right, Right keys Left
    Monitor: Audio, Sidechain or Passive

    C4 Multiband Controls
    Input Gain Fader: -inf. to 0dB
    Range: -24dB to +18dB per band
    Gain: -18dB to +18dB per band
    Attack: 0.5ms to 500ms per band
    Release: 5ms to 5,000ms per band
    Threshold: -80dB to 0dB per band
    Energy Level Meter: -80dB to 0dB per band
    Solo: per band Bypass per band
    DynamicLine Graph: Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
    Frequency Band Marker: Graphic control over Frequency/Gain per band
    Master Controls: Global control of threshold, gain, range, attack and release settings
    Release Type: ARC or Manual
    Behavior: Opto or Electro
    Knee Type: Soft to Hard, 0.00 to 0.75
    Crossover:
    Low: 40Hz - 250Hz
    Mid: 100Hz - 5993Hz
    High: 2kHz - 16kHz
    Q: 0.1 to 0.75
    Output Gain Fader: -18dB to +18dB
    Output Meter: -80dB to 0dB with peak hold and clip indicators
    Output Gain Fader: -40dB to +18dB
    Output Meter: -30dB to 0dB with peak hold and clip indicators

    Waves Center Controls
    High: Controls balance of high frequency content between the Center and Sides. 0 - 100 (0=Center)
    Low: Controls balance of low frequency content between the Center and Sides. 0 - 100 (0=Center)
    Punch: Controls the spread of transient content between the Center and Sides. 0 - 100 (0=Center)
    Center: Controls the Center gain. +6dB to Off
    Sides: Controls the Sides gain +6dB to Off
    Master Gain: Controls the overall stereo gain. +6dB to -24dB
    Output Meters: Displays the stereo output after processing. 0 dBFS to -36 dBFS
    Center Detection Meter: Displays the Center content of the stereo source

    CLA-2A Compressor/Limiter Controls
    Gain: 0 to 100
    Peak Reduction: 0 to 100
    Compressor Mode: Comp, Limiter
    HF Freq: 0 to 100
    Analog: Off, 50Hz, 60Hz
    VU Display: Input, Gain Reduction, Output

    CLA-3A Compressor Limiter
    Gain: 0 to 10
    Peak Reduction: 0 to 10
    Compressor Mode: Comp, Limiter
    HF Freq: 0 to 100
    Analog: Off, 50Hz, 60Hz
    VU Display: Input, Gain Reduction, Output

    CLA-76 Blacky & Bluey Compressors/Limiters Controls
    Input: Inf to 0
    Output: Inf to 0
    Attack: 1 to 7 (1 millisecond to 50 microseconds)
    Release: 1 to 7 (1 second to 50 milliseconds)
    Ratio: 4:1, 8:1, 12:1, 20:1, ALL
    Comp Off: Comp On, Comp Off
    Analog: Off, 50Hz, 60Hz
    VU Display: Input, Gain Reduction, Output

    DeBreath Controls
    Breath: 0% to 100% breath threshold
    Energy (Gate): -64dB to 0dB energy threshold
    Reduction: -inf. to 0dB gain reduction
    Reduction Meter: -inf. to 0dB
    Fade Out: 0.1ms to 200ms
    Fade In: 0.1ms to 200ms
    Monitor: Voice or Breath
    Room Tone: White noise on/off

    DeEsser Controls
    Audio: Split or Wideband modes
    Frequency: 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
    Sidechain Filter Type: High-Pass or Band-Pass
    Monitor: Audio or Sidechain
    Threshold: -80dB to 0dB integrated with the Input Energy Meter
    Attenuation Meter: -30dB to 0dB with peak hold indicator
    Output Meter: -30dB to 0dB with peak hold indicator

    Doppler Controls
    Gain Modulation: 0% to 200%
    Pan Modulation: 0% to 200%
    Pitch Modulation: 0% to 200%
    Air Damping: 0% to 200% high frequency damping
    Reverb: 0% to 200% reverb level mix
    Reverb Time: 0.1s to 10s
    Brightness: Dark to Bright, 0.0 to 1.0
    Bypass: for Gain, Pan, Pitch, Air Damping, and Reverb
    Graphic Display Controls: Direction arrows, Start/End position marker, Movement Curve, Elapsed time
    Mode: Continuous or One-shot
    Trigger: Energy or Manual
    Track Time: 0.5s to 60s
    Center Time: 0s to 30s
    Output Gain Fader: -12dB to +12dB
    Output Meter: -100dB to 0dB

    Doubler Controls
    Gain: -48dB to 0dB per voice and for the direct signal
    Pan: -45° to +45° per voice and for the direct signal
    Align: Delays the direct signal according to the latency of the voices
    FB High Pass Filter: 16Hz to 21,357Hz
    Range: 20Hz or 80Hz detune frequency boundary
    Modulation Reset: Resets Rate and Depth values
    Delay: 0ms to 100ms per voice
    Feedback: 0% to 100% per voice
    Octave: On/Off (Shifts the voice one octave down)
    Detune: -100 to +100 cent
    Depth: -200 to +200 cent
    Rate: 0.1Hz to 400H
    Low Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
    High Shelf Filter: -88dB to +12dB, 16Hz to 21,357Hz
    Output Gain Fader: -24dB to 0dB
    Output Meters: -30dB to 0dB, with peak hold and clip indicators
    In 1-3: L, L+R, L-R. Input signal for voices 1 and 3
    In 2-4: R, R+L, R-L. Input signal for voices 2 and 4

    Enigma Controls
    Notch
    Notches: 1 to 6 pairs (2 to 12)
    +1/2: Adds half a pair of notches to the high-end
    Phase Polarity reverse switch
    Depth: 0 to 200
    Stereo: 0 to 100
    On/Off: per filter
    Notch Filters
    Graph Markers: for Frequency and X-Factor adjustment
    Frequency: (Low-band filter) 16Hz to 16kHz, (Highband filter) 16kHz to 21kHz
    X-Factor: filter slope 0.10 to 2.00
    Modulator
    Modulation: Play or Pause Sync Auto or Manual
    Wa

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