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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Yamaha YEP-321 Series 4-Valve EuphoniumThe Yamaha YEP-321 Euphonium features a small shank receiver with a .571 inch bore for easy tone production and response for the advancing student. The 4 nickel-plated top action valves offer excellent, quick action. The YEP-321 includes a hard case, small shank mouthpiece and valve oil.The YEP-321 Series is one of the most popular models with advancing players and band directors.Honed ValvesThe precise fit between valve casings and pistons after honing means no air leakage.Pressure Formed TubingPerfectly rounded tubing results in less turbulence and a smoother air flow, allowing for an excellent scale and reduced resistance.Laser-Fused Pluzuma Welded BellA high-energy laser fuses the brass together for a virtually seamless bell, which allows continuous even vibrations.IntonationThe excellent intonation of the YEP-321 helps to foster a feel for correct pitch, especially in beginning players.ResponseThe responsiveness of the YEP-321 assists beginning players in learning the phrasing of the euphonium.All Yamaha brass instruments come with a limited 5-year warranty.
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Choose from the folowing Yamaha Warranties:
I am especially pleased with the overall intonation of this horn. The workmanship demonstrated by Yamaha is unsurpassed for this level of euphonium. This euphonium allows me to develop my repertoire and perform consistently. Although a non-compensating instrument, I find that the musicality of this horn at times rivals some of the compensating euphoniums on the market today.
This euphonium was fantastic for me. I am a high school student and I was looking to get my own horn for such things as college auditions and such and I bought this in my junior year and it has served me very well. The only advice I give on this horn is buy a better mouthpiece for it. If you are upgrading enough to buy this horn then get a pro mouthpiece. Must buy for any advancing high schooler or lower level professional.
I borrowed my university's YEP-321 to play in their brass ensemble and it is the best non-compensating euphonium I have ever played. Although a pro would probably want a compensating system, this will serve an amateur or student quite well.
I have owned a YEP321S for 31 years.Many of the early purchasers of this euphonium had problems with valve plating. I have used nothing but Holton valve oil and never had a problem. After playing this instrument for several years I had the larger lead pipe and receiver from a YEP641 installed. Using a large shank 51D mouthpiece I found that it really opened up the upper register.
I play this instrument a lot and it has proven to be very durable. I have had it replated once and the case wore out. So far this year I have performed in Virginia, Maryland, Delaware, New Jersey, and Pennsylvania and as usual have had no problems.
This horn is a great step up from any student horn. It keeps the receiver small so the small shank mouthpiece can be retained. It gets the player used to using more air without winding them right off the bat.
The pistons are large, which provides for a great full tone, but is a little difficult on young players or those with small hands. Though, with proper technique, it's very easy to adapt to. (The proper finger technique/positioning is also very important as if straight fingers are used, the valves will begin to stick due to being pushed against the casings awkwardly.)
I use a Bowman BB1 mouthpiece, and I love the rich tone, though the articulation gets a little muddy with it. (Standard 6.5ALs don't have this problem)
I have found that the first slide is flat, but that's probably because my pitch centre is naturally flat (especially with the Bowman).
The horn has served me well, though I'm looking to upgrade to the Besson Prestige within the year as it suits my needs more efficiently.
I bought my horn around a year after my high school bought one. The horn at the high school has deteriorated rather quickly as students tend to mistreat instruments. My horn, however, is still like-new, minus a couple insignificant scratches most people tell me I'm imagining, though I know they're there.
If you take good care of this horn, as with any instrument, it will last you a very very long time.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.