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CT-40 Chromatic Tuner
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
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a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Yanagisawa T-991 Professional Tenor SaxophoneKey of Bb. High F# key, double-action low B and C keys, black lacquer, gold brass hand-engraving on bell, sway-free mechanism for F auxiliary and low C# keys, refined sound and even intonation over its entire range and at all dynamic levels.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
If your ready to buy a professional tenor saxophone, do not forget to check out the Yanagisawa 991. The 991 tenor saxophone looks like a King super 20 (with the under-slung neck), but unlike the king super 20, has the best modern key-work ever designed for a modern professional horn. I have owned my 991 tenor saxophone for the past 4 years and have to say that I switch back and forth between my Mark VI and 991 because even though many players believe and myself to some extent that Selmer mark VI rivals almost all new professional saxophones, the kewyork and playability on my 991 is effortless. For me, using the 991 tenor sax with a solid hard rubber or metal mouthpiece; such as a ted klum or lebayle mouthpiece, has given me a sound that is almost identical to my Selmer Mark VI with half the amount of effort. The engraving, pads, felts, and springs are of the highest quality and can enhance your playing. I would recommend this tenor saxophone and put it up against the yamaha custom z, keilwerth sx 90r and the selmer reference 54 tenor saxophone
It took me a couple of years to select a horn, and in 2002, I chose the T-991 after a lot of reading, talking to other players, and playing different brands. It was somewhat of a nightmare, because so many horns are decent, and set ups varied so much between horns. After getting the horn, I tried different mouthpieces, and am now playing the Vandoren ebonite V-16 w/opening 8. I use 3.0 Vandoren JaZZ reeds. The horn continues to be a much better player than I, but when great players have played it, I am totally blown away with the excellent sound and expressive range of the horn. It is responsive to breath and embouchure control, and dynamics are amazing. I have even played classical and find the tone very versatile. So many other horns have felt too resistant and "stuffy" after playing the T-991, at least to my tastes. Choosing a sax is definitely a process, and ultimately, the horn chooses you, in a way, rather than you choosing the horn. I have "babied" this instrument, and it still looks great and responds well. I don't think I will ever see a need to replace this fine instrument.
I grew up playing a particularly popular brand of saxes and honestly thought that when I bought my own Tenor, I would probably get one. A fellow musician in college had a Yanagisawa alto and loved it, so I figured I'd give their tenor a shot. Wow! Aside from being a free-blowing sax with a pure and rich sound, I can't fully explain how liberating it was to play. The keywork is super comfortable. It's like Yanagisawa actually measured the human hand to figure out where to put the keys. When I initially tested the pitch against a tuner, I thought the upper range was way off. Then I realized I was trying to correct as if I was playing another brand of horn (cough). When I relaxed my embouchure and didn't change anything from low to high, it was spot on.
This is the kind of sax to buy if you want a great sound, and you don't want to have to fight the instrument to be able to make music.