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DELTALAB CT10 CLIP ON TUNER
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Yanagisawa T-992 Bronze Tenor SaxophoneThis bronze tenor model affords the player a sound described as wide and full-bodied. Warm and mellow in its tone quality and assertive in its projection, the T-992 retains its characteristic qualities throughout the entire range of the instrument. Add to this Yanagisawa's refined design features, and this saxophone will make any playing experience, unique and remarkable.An exceptional choice for any soloist, classical players will find the Yanagisawa T-992 tenor saxophone is made with a bronze body, neck, and bell. The Yanagisawa T-992 tenor saxophone offers an unmistakably warm and rich tone and displays Yanagisawa's renowned wide dynamic range. It includes case, mouthpiece, cap and ligature, and care products.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
The Yanagisawa T992 Professional Bronze Tenor Saxophone is a great horn for a great price! You simply cannot match the quality of this horn. This horn has surperior construction down to the smallest details. The intonation is absolutely even throughout the entire range of the horn. The tone is dark and warm. If you blow properly you really feel this horn resonate. The Yani T992 is such a pleasure to play. I play it so much my girlfriend hates that I got it. I have a new confidence at gigs because I know this horn will go wherever I take it-easily. I compared this horn against many including the top pro/custom Yamahas, Selmers, Cannonballs, and every vintage horn I could try before I bought my horn and I am so pleased that I went with my Yani!
Wow. Where to start? Versatility: I've played this sucker in everything from pep band to marching band to Jazz Band to Concert Bands to solo performances to anything you can thing of and it does it all, doesn't even matter. The intonation is pretty much spot on... everywhere. I think I'm in love. It can be smooth, it can wail, it can be whatever you want it to be without little effort on your part. 100% Classy Horn.
I'd had my eye on this saxophone for years and finally buckled and bought it six months ago. My primary instrument had been a Yanagisawa B901 (their middle-line baritone model), and I had been very happy with that. This tenor confirmed that Yanagisawa has nailed the ergonomics of saxophone design---the grip on both my baritone and tenor feel the most natural of any saxophone I've played. Before purchasing this sax, I play-tested a couple other saxes including the Selmer Paris Reference 54, and was surprised that the lower register popped out a little more easily on the Yanagisawa. Friends who play 54's have told me that usually their saxes gurgled in the lower register until they took them to the shop, but this tenor was good to go out of the box. One quirk is that the G# pinky table only has one roller between the B and C# keys, so the action is slightly more stifled than on some other Saxes I've played, but I've gotten used to it. For mouthpieces, I have found the Peter Ponzol M2 Plus and Yanagisawa metal to be very compatible. The Ponzol's baffle nicely complements the dark tone the sax's bronze body comes with while the Yanagisawa gives a crisper and brighter tone in case you need to move in the other direction. (If you need to move further than that, you're probably better off buying a sax with a more conventional brass or silver body.) If you want to use an Otto Link, you may need to re-cork the neck more thickly to get it to fit.
My previous tenor was a Mark VI. I bought the Yani T-992 in the spring of 1999. Yanagisawa quality control produces very consistent quality. No horn has a better action. I find the 991 (brass horn) as good as any. However, the 992 produces a tone with lots of stuff going on that makes the sound very interesting. Listen to a long tone on this horn and you can hear more frequencies. The ring like bells! Play reflecting off different surfaces and in different rooms and there is just more going on in every note. Increase the dynamic and the sound takes off! Back off to a whisper and the "small voice" can pierce you to the center of your being. The larger the room the more you hear. Outside it has the best projection. Overall the sound is full and dark. I am an intermediate player and now receive many compliments from pros about my "sound". It is more interesting than with the Selmer. The horn has been very reliable even with airline travel.