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Focusrite Clarett 4Pre and A7X Bundle

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Grab this duo of the Focusrite Clarett 4Pre and the ADAM Audio A7X active studio monitor. Record and monitor with high-resolution conversion and grea...Click To Read More About This Product

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Record and monitor with this convenient duo.

Grab this duo of the Focusrite Clarett 4Pre and the ADAM Audio A7X active studio monitor. Record and monitor with high-resolution conversion and great audio quality.

Focusrite Clarett 4Pre USB Audio Interface
Focusrite's Clarett audio interfaces feature high-performance, low-noise mic preamps with a low-distortion, ultra-linear design, 24-bit/192kHz digital conversion and extra headroom to handle the loudest pickup possible. This guarantees a clean, open and transparent sound. Each Clarett mic pre has a unique Air switch, which, when initialized, will emulate Focusrite’s classic transformer-based preamps.

The Clarett 4Pre offers 4 combination XLR/TRS inputs; 4 line outputs; S/PDIF and MIDI I/O; and up to 8 channels of additional digital inputs via ADAT. The iconic red front panel boasts a large rotary-style master fader and two headphone inputs with designated rotary controls for the headphone volume. Inputs 1 and 3 have their own phantom power switch and rotary gain dials giving optimal control over the level you send to your DAW. To protect against clipping, the Clarett 4Pre features Focusrite’s signature “Gain Halo”, an illuminated ring around the gain control dial that lights up green when there’s signal and red when that signal is too high.

With its outstanding high-resolution conversion, versatile preamps and extensive digital input connectivity, Focusrite's 4Pre will deliver incredible audio quality for a whole host of applications.

ADAM Audio T7X Active Studio Monitor
More than 30 glowing reviews, numerous awards and countless dedicated fans made the A7, the predecessor of this model, a true legend in near-field monitoring. Now, the legend continues with the A7X: All drivers, all amplifiers, as well as the cabinet have been revised, resulting in a speaker that claims nothing less but to be a new benchmark in near-field monitoring.

Driver technology 
The first aspect that distinguishes the old from the new model is the X-ART tweeter. The "X" stands for "eXtended frequency response" and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7" midwoofer. It has been redesigned with a much bigger voice coil (1.5") and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers/Controls
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM (Pulse Width Modulation) amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel of the A7X are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

X-ART Technology 
The X-ART (eXtended Accelerating Ribbon Technology) tweeters and midranges incorporate a new approach to the Air Motion Transformer concept originally developed by Dr. Oskar Heil. ADAM Audio has improved upon this splendid idea utilizing superior geometries and materials to achieve unprecedented audio fidelity. X-ART strikes a new path concerning the kinematics of moving air, resulting in a dramatic improvement in the quality of audio reproduction. 

The X-ART membrane consists of a pleated diaphragm in which the folds compress or expand according to the audio signal applied to them. The result is that air is drawn in and squeezed out, like the bellows of an accordion.

The ADAM X-ART design overcomes the piston-like motion of all conventional drivers and their inevitable problems by achieving an improvement in air loading by a factor of 4 over conventional transducers. To illustrate the basic principle by a comparison: When you breathe, your thorax is moving slowly whereas the air is moving comparably fast. Similarly, the X-ART diaphragm presses the air faster in or out of its folds than they themselves are moving. This markedly superior motor is responsible for the unprecedented clarity and pristine transient reproduction that can be heard with the ADAM X-ART drive units.

In addition, the X-ART tweeter's pleated membrane avoids the typical breakup/distortion and subsequent dynamic limiting at higher frequencies of stiffer voice coil designs, such as those found in dome and cone tweeters. Another positive result of the X-ART design is that the driving stripes are in direct contact with the outer air and are cooled immediately.

Pulse Width Modulation 
PWM (Pulse Width Modulation)—sometimes referred to as Class D amplification, sometimes called Switching Amp Technology—converts the incoming signal to a series of rectangular waveforms of equal height. The width of the rectangles varies in time and the relation of the width of the rectangles represents the musical signal. This waveform can be amplified much more simply, as the transistors are not modulated anymore; instead they are used as switches that only turn the power supply voltage on and off.

It is possible that a very fast mechanical switch could do the job, but power transistors are a better choice for the task, so PWM amplifiers still work pretty much like conventional Class AB designs. It is important to note there are no bits and bytes involved, so œDigital Amplifier is a misleading and inaccurate term.

The main advantage of PWM amplifiers is their extremely high efficiency (>90%). As a consequence the heat to be dissipated is only one fifth of earlier designs, leading to much lower temperatures within the amps and making the use of heat sinks obsolete.

This principle has been known for decades, but time was needed to develop units that perform at the leading edge in sonic reproduction quality and yet still maintain the high efficiency mentioned previously. The ADAM units use the new technology for both the amp and the power supply section (i.e. no more transformers) combined with state of the art input and filter sections to achieve the best in multi-channel active studio monitoring.

More than 30 glowing reviews, numerous awards, and countless dedicated fans made the A7, the predecessor of this new model, a true legend in near-field monitoring. Now, the legend continues with the A7X: All drivers, all amplifiers, as well as the cabinet have been revised, resulting in a speaker that claims nothing less but to be a new benchmark in near-field monitoring.

Driver technology 
The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ˜X™ stands for ˜eXtended frequency response™ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7 midwoofer. It has been redesigned with a much bigger voice coil (1.5) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers / controls 
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM (Pulse Width Modulation) amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel of the A7X are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

X-ART Technology 
The X-ART (eXtended Accelerating Ribbon Technology) tweeters and midranges incorporate a new approach to the Air Motion Transformer concept originally developed by Dr. Oskar Heil. ADAM Audio has improved upon this splendid idea utilizing superior geometries and materials to achieve unprecedented audio fidelity. X-ART strikes a new path concerning the kinematics of moving air, resulting in a dramatic improvement in the quality of audio reproduction. 

The X-ART membrane consists of a pleated diaphragm in which the folds compress or expand according to the audio signal applied to them. The result is that air is drawn in and squeezed out, like the bellows of an accordion.

The ADAM X-ART design overcomes the piston-like motion of all conventional drivers and their inevitable problems by achieving an improvement in air loading by a factor of 4 over conventional transducers. To illustrate the basic principle by a comparison: When you breathe, your thorax is moving slowly whereas the air is moving comparably fast. Similarly, the X-ART diaphragm presses the air faster in or out of its folds than they themselves are moving. This markedly superior motor is responsible for the unprecedented clarity and pristine transient reproduction that can be heard with the ADAM X-ART drive units.

In addition, the X-ART tweeter' pleated membrane avoids the typical breakup/distortion and subsequent dynamic limiting at higher frequencies of stiffer voice coil designs, such as those found in dome and cone tweeters. Another positive result of the X-ART design is that the driving stripes are in direct contact with the outer air and are cooled immediately.

Pulse Width Modulation 
PWM (Pulse Width Modulation) “ sometimes referred to as Class D amplification, sometimes called Switching Amp Technology “ converts the incoming signal to a series of rectangular waveforms of equal height. The width of the rectangles varies in time and the relation of the width of the rectangles represents the musical signal. This waveform can be amplified much more simply, as the transistors are not modulated anymore; instead they are used as switches that only turn the power supply voltage on and off.

It is possible that a very fast mechanical switch could do the job, but power transistors are a better choice for the task, so PWM amplifiers still work pretty much like conventional Class AB designs. It is important to note there are no bits and bytes involved, so œDigital Amplifier is a misleading and inaccurate term.

The main advantage of PWM amplifiers is their extremely high efficiency (>90%). As a consequence the heat to be dissipated is only one fifth of earlier designs, leading to much lower temperatures within the amps and making the use of heat sinks obsolete.

This principle has been known for decades, but time was needed to develop units that perform at the leading edge in sonic reproduction quality and yet still maintain the high efficiency mentioned previously. The ADAM units use the new technology for both the amp and the power supply section (i.e. no more transformers) combined with state of the art input and filter sections to achieve the best in multi-channel active studio monitoring.

More than 30 glowing reviews, numerous awards, and countless dedicated fans made the A7, the predecessor of this new model, a true legend in near-field monitoring. Now, the legend continues with the A7X: All drivers, all amplifiers, as well as the cabinet have been revised, resulting in a speaker that claims nothing less but to be a new benchmark in near-field monitoring.

Driver technology 
The first aspect that distinguishes the old from the new model is the X-ART tweeter. The ˜X™ stands for ˜eXtended frequency response™ and thus for one of the features of the Accelerating Ribbon Technology that has been drastically improved: the frequency response. It now extends all the way up to 50kHz. In addition, the X-ART tweeter has a higher efficiency and higher maximum sound pressure levels.

The perfect integration with the lower frequencies has been achieved with a newly designed 7 midwoofer. It has been redesigned with a much bigger voice coil (1.5) and is driven by an amplifier with twice the power compared to its predecessor. This combination produces an amazing sound and pressure levels with an almost distortion-free musical reproduction.

Amplifiers / controls 
Each driver has its own dedicated amplifier. A 50W A/B amp is responsible for the X-ART tweeter, while the midwoofer is being driven by a 100W PWM (Pulse Width Modulation) amp. The front panel includes a power switch and a control for the volume that retains the volume setting independently from the on/off switch.

On the rear panel of the A7X are several additional controls: a gain for the high frequencies (± 4dB) and two shelf filters for high and low frequencies. To ensure greater compatibility, there are both XLR (balanced) and RCA (unbalanced) connectors.

X-ART Technology 
The X-ART (eXtended Accelerating Ribbon Technology) tweeters and midranges incorporate a new approach to the Air Motion Transformer concept originally developed by Dr. Oskar Heil. ADAM Audio has improved upon this splendid idea utilizing superior geometries and materials to achieve unprecedented audio fidelity. X-ART strikes a new path concerning the kinematics of moving air, resulting in a dramatic improvement in the quality of audio reproduction. 

The X-ART membrane consists of a pleated diaphragm in which the folds compress or expand according to the audio signal applied to them. The result is that air is drawn in and squeezed out, like the bellows of an accordion.

The ADAM X-ART design overcomes the piston-like motion of all conventional drivers and their inevitable problems by achieving an improvement in air loading by a factor of 4 over conventional transducers. To illustrate the basic principle by a comparison: When you breathe, your thorax is moving slowly whereas the air is moving comparably fast. Similarly, the X-ART diaphragm presses the air faster in or out of its folds than they themselves are moving. This markedly superior motor is responsible for the unprecedented clarity and pristine transient reproduction that can be heard with the ADAM X-ART drive units.

In addition, the X-ART tweeter' pleated membrane avoids the typical breakup/distortion and subsequent dynamic limiting at higher frequencies of stiffer voice coil designs, such as those found in dome and cone tweeters. Another positive result of the X-ART design is that the driving stripes are in direct contact with the outer air and are cooled immediately.

Pulse Width Modulation 
PWM (Pulse Width Modulation) “ sometimes referred to as Class D amplification, sometimes called Switching Amp Technology “ converts the incoming signal to a series of rectangular waveforms of equal height. The width of the rectangles varies in time and the relation of the width of the rectangles represents the musical signal. This waveform can be amplified much more simply, as the transistors are not modulated anymore; instead they are used as switches that only turn the power supply voltage on and off.

It is possible that a very fast mechanical switch could do the job, but power transistors are a better choice for the task, so PWM amplifiers still work pretty much like conventional Class AB designs. It is important to note there are no bits and bytes involved, so œDigital Amplifier is a misleading and inaccurate term.

The main advantage of PWM amplifiers is their extremely high efficiency (>90%). As a consequence the heat to be dissipated is only one fifth of earlier designs, leading to much lower temperatures within the amps and making the use of heat sinks obsolete.

This principle has been known for decades, but time was needed to develop units that perform at the leading edge in sonic reproduction quality and yet still maintain the high efficiency mentioned previously. The ADAM units use the new technology for both the amp and the power supply section (i.e. no more transformers) combined with state of the art input and filter sections to achieve the best in multi-channel active studio monitoring.

MPN: Clarett4Pre+A7X
FEATURES
Includes
  • Focusrite Clarett 4Pre USB Audio Interface
  • ADAM Audio T7X 7" Active Studio Monitor

A great pair for any studio. Order today.

SPECIFICATIONS
  • AX7
  • General
  • Size: Near-field
  • System type: Active
  • Configuration: 2-way
  • Drivers
    • Low-frequency driver: 7"
    • Mid-frequency driver: Not applicable
    • High-frequency driver: 2"
    • Full-range driver: Not applicable
    • Driver type: Carbon Fiber
    Sound
    • Frequency response: 42Hz–50kHz
    • Max peak SPL: 106 dB
    • Amplifier class: A/B
    • Output power: 75W
    Onboard Features
    • Input connectors: XLR, RCA
    • Standby mode: Info not available
    • Acoustic space control: No
    • Power indicator: Yes
    Other
    • Width: 8"
    • Height: 13.5" 
    • Depth: 11"
    • Weight: 20.3 lb.
    • Enclosure type: Ported

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