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Martin D-35E-Z Standard Dreadnought Acoustic-Electric Guitar
OVERVIEW
An icon re-envisioned for the modern player.
The Martin D-35 dreadnought acoustic guitar was birthed during the folk music boom of the 1960s. Designed in 1965, the D-35 was created because Martin was experiencing a shortage of rosewood wide enough to build their famous D-28. Known for its three-piece back, with a contrasting center wedge, the D-35 quickly caught on with musicians that preferred the cosmetic look of a three-piece back. Along with the cosmetic changes to the appearance, the D-35 offered a different sound and tone to the famous D-28.
Constructed with 1/4” bracing, the D-35 had a slight bump in the bottom end when compared to the stiffer 5/16” bracing of the D-28. Over time, players really began to latch on to the tonal variation, and as a result, the D-35 quickly became an industry standard among players and collectors alike.
Today, the D-35E-Z Standard Dreadnought Acoustic-Electric Guitar has been refined to combine the best of the vintage 1930's appointments with the playability of a modern guitar.
Like the D-35 from the 1960s, the bracing is 1/4" in thickness, but the placement of the X brace has been forward shifted to be located one inch from the soundhole. Now, the D-35E-Z Standard Dreadnought Acoustic-Electric Guitar has a very even bass, with just the right blend of the mid and high-end frequencies. The sound is everything you would expect from a fine-tuned Martin acoustic guitar.
Playability has been dramatically improved on this model by changing the neck to a modified low oval, with a Performing Artist taper and 1-3⁄4” nut. The wider string spacing and comfortable neck profile allow a player to move up and down the neck with ease. And, unlike the more traditional acoustic guitars of the past, the D-35E-Z Standard Dreadnought will have that vintage tone, with a feel that will be similar to that of an electric guitar.
Other Appointments
Along with an amazing sound and feel, this D-35 features a solid Sitka spruce top, solid East Indian rosewood back and sides, ebony bridge and fingerboard, hand-fit dovetail neck joint, nitrocellulose lacquer, mother-of-pearl fingerboard inlay pattern, antique white binding, aging toner, bone nut and saddle.
Includes a hardshell case.
FEATURES
- Antique white binding
- Aging toner
- Foward-shifted 1/4" bracing pattern
- Mother-of-pearl fingerboard inlay pattern
- Drop-in bone saddle
- Hand-fit dovetail neck joint
Order this versatile Martin today.
SPECIFICATIONS
Body - Body type: Dreadnought
- Cutaway: No
- Top wood: Solid Sitka spruce
- Back and sides: East Indian rosewood
- Bracing pattern: 1/4" non-scalloped X bracing
- Body finish: Gloss Nitrocellulose
- Orientation: Right handed
Neck - Neck shape: Modern low oval/Performance Artist taper
- Nut width: 1.75 in. (44.45 mm)
- Fingerboard: Ebony
- Neck wood: Solid Mahogany
- Scale length: 25.35 in.
- Number of frets: 20
- Neck finish: Satin
Electronics - Pickup/preamp: Yes
- Brand: L.R. Baggs
- Configuration: Undersaddle transducer
- Preamp EQ: 1-band
- Feedback filter: Phase
- Tuner: No
Other - Headstock overlay: East Indian rosewood
- Tuning machines: Chrome enclosed gear
- Bridge: Ebony
- Saddle and nut: Bone
- Number of strings: 6
- Special features:
- Case: Hardshell case
- Accessories: None
- Country of origin: United States
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