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Sennheiser MD441U Supercardioid Dynamic Microphone

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The MD 441 is acknowledged as one of the most accurate and versatile dynamic microphones available. It has a nearly textbook perfect super-cardioid p...Click To Read More About This Product

Available 07-01-2018

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Wide range of uses for this dynamic studio microphone.

The MD 441 is acknowledged as one of the most accurate and versatile dynamic microphones available. It has a nearly textbook perfect super-cardioid pattern, a five-position low frequency contour switch, a two-position high frequency switch, a critically damped internal shock suspension, and a hum bucking coil. Perfect for vocals and virtually every instrument.

  • Excellent feedback rejection
  • Excellent sound quality
  • Spring capsule mounting provides low sensitivity to handling noise
  • Hum compensating coil
  • Five position bass roll-off switch
  • Brilliance (treble boost) switch
  • Integral pop filter

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  • Dimensions 270 x 33 x 36 mm
  • Connector XLR-3
  • Frequency response (microphone) 30 - 20000 Hz
  • Sensitivity in free field, no load (1kHz) 1,8 mV/Pa +- 2 dB
  • Nominal impedance 200 ?
  • Min. terminating impedance 1000 ?
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SennheiserMD441U Supercardioid Dynamic Microphone

(based on 1 review)

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Reviewed by 1 customer

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Greatness Stands the Test of Time

By tona

from Cdale/SF depends on the time of th year

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  • Clear Sound
  • Compact
  • Durable
  • Easy To Use
  • Lightweight
  • Versatile


    Best Uses

    • Amateur Recording
    • Events
    • Home Studio
    • Mobile DJ
    • Performances
    • Professional Recording

    Comments about Sennheiser MD441U Supercardioid Dynamic Microphone:

    I'm Surprised to see this 441 posted and feel comfortable saying 'The Very Best' It's what experience has thought me, Be it in the studio, road touring, The Sennheiser441 - along with the Sennheiser421 go hand and hand,

    It's been a while, in fact 1977, I mixed bands fresh out of the studio, along with a label road manager to keep things together, fresh out of the studio did not give you card blanch, no preferential treatment! so to ensure the band from being demoralized we would carry our own monitors, mics, and front rack along with a limiters/compressors, since eventide was out of the budget, a four track Teac with a few up grades to the motor,it has a great SOS filter, we used the 441's for vocals, hi hat and upz-fazed two on top of the drum rack to only pick up the cymbals ... 421's on the Drums, guitar speaker cabinets, the one exception a Shure 57 for the snare.

    the stacks n the back were there for look, each position the musician stood was encompassed with a monitor of his band mate.

    to sum it up, the entire sound was cleaner, louder without hurting anyone's ears,the 441 and 421 have great specks, flat response, the four track maybe old school has a great cut off filter.

    When the main act started, I seen many techs give it a shot to control of the head room without feed back

    You will never make a mistake purchasing a Sennheiser441 or 421
    Greatness Stands the Test of Time

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