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Taylor 712e V-Class 12-Fret Grand Concert Acoustic-Electric Guitar Natural

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Taylor’s rosewood/spruce 700 Series guitars project a bold musical voice with a refreshed visual aesthetic that blends rootsy appeal with warm, wood-...Click To Read More About This Product

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OVERVIEW

Powerful tones with classic richness shine through with V-Class bracing.

Taylor’s rosewood/spruce 700 Series guitars project a bold musical voice with a refreshed visual aesthetic that blends rootsy appeal with warm, wood-rich details to give the series a distinctive musical personality. Soundboard power comes from a Lutz spruce top. Lutz spruce produces a powerful tonal response that's comparable to older, high-grade Adirondack spruce, giving players a higher volume ceiling. Together with Taylor's V-Class bracing all of rosewood’s classic richness shines through.

These guitars promise to give back to players everything they put in and then some. Appointment details include non-figured koa binding, a 3-ring herringbone-style rosette featuring mirrored, bias-cut Douglas fir with maple/black trim, top edge trim of bias-cut end-grain Douglas fir with maple/black accents, and Taylor's "Reflections" fretboard inlay made of pale green abalone. The guitars come with a deluxe hardshell case made by Taylor for optimal fit and protection.

Body Shape
Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable. Taylor's 12-fret designs are appealing to many players who enjoy the guitars' compact playing framework, blending the lap-friendly Grand Concert body with the slightly condensed fret spacing of the 24-7/8-inch scale length and the shorter 12-fret neck orientation. This combination creates a slinky "handfeel" and easier fretting. Factor in the surprising tonal power and midrange warmth and vibrancy for a smaller body, thanks to the bridge's position near the center of the lower bout.

The design is physically efficient, so it has strong projection; despite its smaller size it sounds like a huge instrument. Taylor 12-fret guitars are not just great for fingerstyle and light playing; players who love strumming or digging in with a heavier attack also appreciate them for their tonal character. Pairing a 12-fret neck design with a cutaway body blends the unique response from the bridge sitting back a little farther on the lower bout with the accessibility to the upper register - you get to play the high notes.

Tone Wood Pairing
A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Lutz Spruce is a naturally occurring hybrid of Sitka and White spruce. Sitka is the most prevalent guitar top wood of the modern era because it blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Lutz spruce takes these attributes and blends them with those of White and Englemann spruce, with an end result resembling old Adirondack spruce.

When combined with Taylor's bracing architecture, guitars are more powerful, richer and louder than before. Solid Indian rosewood back and sides complement the Lutz top with sound that's made it one of the most popular tone woods ever. Rosewood produces the strongest bass response among the tone woods commonly used for guitars, with a slightly scooped midrange. Rosewood's sweeping frequency range - deep lows that assert a throaty growl with sparkling highs - rings out with bell-like, high-fidelity clarity. It yields a full-range acoustic voice with complex overtones and extended sustain.

Electronics
Taylor's ES2 is a revolutionary pickup design that delivers the latest in Taylor’s ongoing innovation in acoustic guitar amplification. The heart of the Expression System 2 is Taylor’s patented behind-the-saddle pickup, which features three uniquely positioned and individually calibrated pickup sensors. Because the pickup doesn't sit under the saddle, the bottom of the saddle comes in full contact with the bridge, allowing all the nuance of the guitar's tone to come through clearly whether playing acoustically or plugged-in. The location of the sensors enables a more dynamic range of acoustic sound to be captured than ever before while playing plugged-in.

Together with Taylor’s custom-designed “professional audio”-grade preamp, this system produces exceptional amplified tone and responsiveness. On stage through a PA, plugged into your favorite acoustic amplifier, or direct into recording software, the Expression System 2 faithfully conveys the voice of your Taylor guitar. The Taylor Expression System 2 operates through a proprietary 9-volt battery compartment and easy-to-use volume, and active bass and treble controls.

V-Class Bracing
Taylor's V-Class bracing is a fundamental innovation in acoustic guitar design. It marks an important evolution beyond traditional X-bracing, introducing an entirely new platform for acoustic performance. It is essentially an "engine" that optimizes the response of an acoustic guitar in three key ways: by boosting volume, sustain, and by largely resolving the intonation issues that have long plagued acoustic guitars. V-Class bracing creates purer, more orderly notes that don't cancel each other out or sound "off". They have clearer, more consistent response, and the whole fretboard is brought into greater sonic alignment for a more musical playing/listening experience.

Guitars with V-Class bracing are easier to tune; the pitch sounds purer and more solid, and electronic tuners can more easily locate notes for quick, precise tuning. Other benefits: harmonics ring more uniformly down the neck, notes are louder with more projection and sustain, and notes are more consistent, i.e., upper register notes don't get choked out or swallowed. Fewer "sour" sonic qualities exist with chords; a more agreeable relationship is created between notes as they ripen, bloom and decay.

MPN: 712e-12F-2019

For a sound you'll enjoy for years, order today.

SPECIFICATIONS
Body
  • Body type: Taylor Grand Concert
  • Cutaway: None
  • Top wood: Solid Lutz Spruce
  • Back & sides: Solid Indian Rosewood
  • Bracing pattern: Taylor V-Class Bracing with Relief Rout
  • Body finish: Gloss
  • Orientation: Right-Handed
Neck
  • Neck shape: Taylor Standard Profile
  • Nut width: 1-3/4" (44.5mm)
  • Fingerboard: Genuine West African Ebony
  • Neck wood: Solid Neo-Tropical Mahogany
  • Scale length: 24-7/8"
  • Number of frets: 18
  • Neck finish: Satin
Electronics
  • Pickup/preamp: Expression System 2 Professional Audio-Grade
  • Brand: Taylor
  • Configuration: Behind-the-Saddle Transducer with Adjustable Sensors
  • Preamp EQ: Volume, Active Bass and Treble
  • Feedback filter: Onboard Phase Switch
  • Tuner: None
Other
  • Headstock overlay: Genuine West African Ebony
  • Tuning machines: Taylor Nickel Tuners with Nickel Buttons
  • Bridge: Genuine West African Ebony
  • Saddle & nut: Micarta "Wave" Saddle; Teflon-Infused Graphite Nut
  • Number of strings: 6
  • Special features: V-Class Bracing
  • Case: Taylor Deluxe Hard Shell Case
  • Accessories: None
  • Country of origin: USA

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