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DELTALAB CT10 CLIP ON TUNER
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Bach 42BO Stradivarius Series F Attachment TromboneThe Bach 42BO Stradivarius Series F Attachment Trombone is a best seller and the ideal instrument for both advanced students and professional trombonists. An open wrap design results in fewer bends in the tubing, which creates a free-blowing trombone. The 42BO with a .547-inch bore and 8.5-inch bell produces a large, symphonic sound with clear projection. Included with this Bach Stradivarius F Attachment Trombone is a case and mouthpiece. The 42BO Series features an open wrap F attachment section. The open wrap offers a more uniform sound, so when the trombone player uses the F attachment the sound is not different from the sound of the trombone without engaging the trigger. Bach Stradivarius trombones are famous for their fullness of sound and projection. This is achieved by use of one-piece construction, allowing for unrestricted vibration of the bell. In addition to the shape of the bell flare, the type and thickness of the bell material also affect the sound. Gold brass, which is softer with a red tint-due to a higher copper content-results in a warm tone. Silver plated bells create a full complement of partials, or overtones, in the tonal spectrum for a focused sound with great projection. Trombones with a heavyweight bell in yellow or gold brass can be special ordered for a player needing an instrument for situation involving dark qualities or high dynamic levels without distortion. Lightweight handslides, denoted by LT before the model number, indicates a handslide made of nickel silver. The weight of the slide has been reduced by using nickel silver tubing on the outer slide tubes. Lightweight slides offer a quicker response than traditional yellow brass slides, and are also more resistant to corrosion.
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I bought this model "gently used" with the gold brass bell option. To my surprise it looked brand new, even my trombone/euphonium professor couldn't find a scratch. My favorite quote from the Ph.D. was "if you ever think of selling this tell me". The slide is very nice, very nice projection and tone production. My main instrument is euphonium, but this horn makes me think about switching! I highly recommend it.
The Bach 42 is an amazing piece of equipment, one of the most common professionally used orchestral trombones in the world. Has a huge sound that can really fill up a performance hall, yet it blends perfectly with other instruments in an orchestra or wind band. Performs very well at extreme dynamics, tone still stays solid even at ff-fff and pp-ppp. The open wrap F attachment helps keep your tone consistent with the valve open vs. closed, and the valve action itself is very smooth and quick. I've heard people say that they're had issues with it, such as a stuffy high range and somewhat slow response. While I have noticed these somewhat, they aren't very noticeable and they aren't a big deal. Honestly, if you feel like you absolutely need something better than this, you just need to practice more.
On a side not, while the included 6-1/2A mouthpiece is nice, I would recommend getting a larger mouthpiece, especially for orchestral playing. I use a Bach 4G with my 42, and it really takes any edge off of the tone and makes it blend just perfectly. Still projects great for solo work too.
When you read the description of it having a uniform tone, they are not joking at all. This trombone also offers when less air resistance then a traditional wrap trombone and for it being a large bore. it is easy for high school to proffessional people to play. This trombone beats any other brand no doubt about it.
The first thing is, this horn is worth every penny, and you will not be disappointed! After playing the Yamaha Xeno, Getzen, Conn 88, Blessing, and Weril, it was obvious this horn is the best. Hands down, the tone quality was simply unbelievable. It's deep, yet warm and beautiful. Also, I play in a marching band, and it handled higher dynamic levels much better than the others. In terms of articulation, legato tonguing is wonderful, but you will need to work at it to front the note and accent. I would also suggest getting an upgraded mouthpiece, a 6 1/2al is ok, but there's better out there. The rotor, when oiled and maintained, is definitely manageable, despite any reputation you may have heard concerning it being noisy or clunky. The open wrap F side is a little stuffy, as is all horns, but if you use a full breath and move the air(like a good trombone player always does) it sounds superb nonetheless. The general build quality of the horn is perfection, I have no doubt in my mind it will last for years to come. I suggest it to any player looking to take the next step!
I own a 42BOG with the lightweight slide and gold brass bell and its unbelievable, the only problem I have so far is the clanky rotor.