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Taylor Swift For Easy Guitar Tab
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
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applies to this used product.
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This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Empirical Labs ELDS DerrEsser Desser and Dynamics ModuleThe DerrEsser from Empirical Labs is a multi-function dynamic filtering device, in an API 500 series module format. Perhaps the most flexible de-essing tool available, in its basic "DS" mode, the DerrEsser is an effective, level-insensitve de-esser that adjusts the high frequency gain on overly trebly or spiky vocals, or other source. By using a crossover technique, and dividing the audio up into a high frequency range and a low frequency range, the ELDS DerrEsser can use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner. However, unlike other de-essers, the ELDS is not limited to just de-essing, and allows for multi use of its circuitry. It also features a high-frequency limiter that can almost entirely remove unwanted fret and finger noise from dynamic acoustic guitar performances, as well as tame aggressive, diaphragm-shaking vocals, in a very musical way. Besides Bypass, there are essentially four modes of the DerrEsser:DS Mode— (Bypass Button IN, all other buttons OUT). As a de-esser in the DS mode (HF Limit OFF), one can set the threshold to tame harsh S's (sibilants) that result from an overlybright singer or from EQing to make a vocal sound aggressive and clear. In this mode, the dynamic action is "level insensitive," as the detector circuitry compares the high-frequency content to the low-frequency content. Overall signal level doesn't matter at all. When there is enough HF compared to LF, the threshold is exceeded and the DerrEsser starts to turn down the frequencies above the crossover point set by the Frequency control on the front panel. Great care was taken to ensure this DS section meets the Empirical Labs reputation for originality and ease-of-use by employing the latest technology VCA, specially selected for glitch free, distortion free, and noise free performance. The time constants were carefully selected and the corner frequency is user adjustable with a high-performance active crossover.HF LIMIT—(Bypass Button IN, HF LIM IN, all other buttons OUT). In this mode, the DerrEsser looks at the general level of the high frequencies only. Think of it as a high-frequency compressor. If there is enough high-frequency content to exceed the threshold, then gain reduction occurs. It's level sensitive, but responds much more to high frequencies. This mode can also act as a de-esser but is more of a general high-frequency smoothing device. The HF limiter is probably the first carefully tailored soft knee HF limiter in existence. Both the DS and HF LIM modes offer what is perhaps the highest performance of any similar device. HIGHPASS—(Bypass Button IN, Listen IN, HP/LP OUT, HF LIM doesn't matter). By using the "LISTEN" Function, the user can employ the superb filter circuitry inside the DerrEsser to process their audio. With the LISTEN button IN, and the HP/LP switch OUT, the user will be hearing the high frequencies that are being controlled with the dynamic/compression circuits. The corner frequency is adjustable by the Frequency knob. Once the LISTEN switch is engaged, all bar graph LED's should light as indication.LOWPASS—(Bypass Button IN, Listen IN, HP/LP IN, HF LIM doesn't matter). With the LISTEN button IN, and the HP/LP button IN, the user is now listening to the low frequencies, those not affected by the VCA and dynamic/compression circuits. This is a 12dB-per-octave filter whose corner frequency can again, be adjusted by the Frequency knob.Requires a 500 Series compliant rackmount frame with power supply. See the A Designs 500HR Rackmount Frame (#241582)About Empirical Labs:Empirical Labs was started in 1988 and functioned mainly as a recording studio and electronics consulting firm. The founder, Dave Derr, was also employed at the time by Eventide as an audio engineer and was one of the core designers of their legendary H3000. EL's first product, the EL8 Distressor (#501578) immediately took the recording industry by storm and hardly a record has been made without it since. With a mission "to make products that work a little easier, a little better, a lot longer, and are fun to use," Empirical Labs continues to create unique and innovate productsthat quickly find homes among the top professionals of the audio industry (and anyone else who wants in on the Empirical Labs sound).Empirical Labs Users:Aerosmith - Joe Perry (8Distressors) Al Schmidt Alanis Morrisette Angela Piva - Mary J Blige,Naughty by Nature, Janet Jackson Ashes dIvide Billy Howerdel BillySheehan (Mr. Big, Niacin, David Lee Roth) Bob Clearmountain - Journey,Bryan Adams, Stones, Springstein, etc, etc, etc! Bob Dylan Bob PowersBon Jovi Brendan O'Brien -Producer Mixdown Engineer Bruce Calder -(Electric Lady Studios, Degeneration) Butch Vig Cher Chimera Chris LordAlge Chuck Ainlay Clair Brothers Cold Play Craig Melvin (GloriaEstefan) Creed - Eight Distressors on their 2003 tour D & D Studios NYCDaniel Lanois (U2) Dave Hewitt - Remote Recording Services DaveMatthews — David Kahne Death Cab for Cutie Disturbed Dolly Parton DonWas Dust Brothers (John King) Ed Cherney - Ed Kowalcyzk - Live EddieKramer (JimiHendrix) Effanel Remote recording - Randy Ezratty, 2003Grammys Elton John Eminem Eric Schilling - Gloria Estefan, John SecadaFinn Halle - Germany Fiona Apple Five Towns College (6 Distressors)Fleetwood Mac Fletcher Full Sail School for the Recording Arts GeorgeMassenburg Goo Goo Dolls Greg Calbi - Sterling Sound Gungi PattersonHole Jason Slater - Snake River Conspiracy Jay Baumgartner - NRGStudios Jay Gordon - Producer, Lead Vocalist of Orgy Jerry Harrison -Live, Verve Pipe, (12 Distressors) Jerry Only - The Misfits Joe BerisiJoe Chicarelli - Hole, Beck, U2, etc! Joe Satriani John Agnello -Producer, Engineer, Mixer John Kurzweg - Creed John McBride atBlackbird Studios - 8 Distressors, 4 Fatsos, 2 Lil FrEQs John PaternoJohn Patterson — John Sicket Josh Abraham (Orgy, Staind, Korn, LimpBizkit) Judy Saiya Julien - K Kevin Killen Kip Winger KoosterMcAllister - Record Plant Remote Linkin Park Marc Costanzo, Len MarkAnthony Mark Plati - David Bowie Maroon 5 Matt Wallace MegadethMetallica Michael Bienhorn Michael Wilton (Queensrych) Micheal Brauer -Sony Studios NYC Mick Gazauski — (Mariah Carey, Boyz 2 Men, ToniBraxton, etc.) Mick Hughes - Metallica FOH Engineer Mike Keating(Sting, Bush, Springstein live) Mike Shipley Millbrook Sound MitchGoldfarb Mutt Lange N SYNC Natalie Merchant Nate Kunkel Nikki Sixx(Motley Crue) Nine Inch Nails Outsmarting Simon Paul Tennebekk(Norway's Midwest Audio) Peter Denenberg Phil (the Buther) Nicolo (TheStones, Amy Grant, Sting, Aerosmith, Judy Saiya) Phil Ramone/JohnPatterson Rammstein Real World Studios - (Peter Gabriel's facility inEngland) Ricky Martin Roey Shamir - Information Society, Al B Sure RossHogarth - (Jewel, Coal Chamber, Grade 8) Ryan Hewitt - EngineerExtraordinare Scott Anthony - Dessau recording, Beastie Boys Seal - ontour Sean Beresford (3rd Eye Blind) Shania Twain Sheryl Crow SoundKitchen Staind Sting Stone Temple Pilots Sue Shoemaker - Blues TravelerTchad Blake - Sheryl Crow, Richard Thompson, Crowded House, Pearl Jam,Bonnie Raitt The Academy Is The Police The Voyager Remote Truck inParis The Who Tom Lord Alge Tony Levin Wheatus Whitney Houston WoodlandStudios - Robert Solomon
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