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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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*Limitations and exclusions apply. See terms and conditions for program details
Empirical Labs Mike-E Mic Pre with Compression and SaturationEmpirical Lab’s Dave Derr is no stranger to creating game-changing audio processors, and his Mike-E preamp is no exception. Mike-E is a modern, digitally controlled microphone preamplifier chocked with unusual features to warm and soften sound sources, plus, it also has an excellent compressor/limiter. Mike-E, a transformer-coupled mic preamp, offers an incredible performance with a noise floor is far below any microphone’s self-noise. And, the one-of-a-kind ‘CompSat’ section is an uncompromising compressor and saturator circuit that offers versatile coloring, and classic knee compression.Mic Preamp SectionThe preamp section is a super low-noise transformer-input amplifier section with gain digitally controlled gain. This section comes standard with a shielded Lundahl transformer, but allows for a Jensen transformer also.The signal-to-noise ratio far exceeds any microphone in existence; typically over 130dB with the input shorted and 40dB of gain. Having used many mic preamps over the years, Empirical Labs has implemented a unique stepped-gain control that is impervious to the normal flakiness that age causes to pots and detented switches.Counting the output gain of 14dB, a total74 dB of gain is available to you with the CompSat section bypassed. Phantom power (+48V) is provided for condenser mics.Exclusive CompSat™ SectionThis unique circuitry is what sets Mike-E apart from all other mic preamplifiers. It has four sections:1) Saturator: This is a multi-stage soft clipping circuit. At lower levels, triode-type saturation affects the signal. As the level increases, a second unique clip circuit that includes germanium semiconductors starts to flatten out the peaks more severely. An LED named “BAD!” indicates harder, un-musical clipping.2) Compressor: This is an uncompromising compressor/limiter circuit with detented control of attack and release for easy repeatability. You adjust the amount of compression with the DRIVE knob, which determines the level going into the compressor. In ways it is like the Empircal Labs Distressor (see #501579), but has differing characteristics including a much longer available attack time and additional circuitry. Four ratios are provided; 2:1 being the gentlest with a long 20dB knee, good for subtle compression, such as while tracking or on the 2-Bus. Ratios 4:1 and 8:1 are steeper but still very smooth with long knees. “Nuke” is very steep (limiter-like) and has a different attack and release shape.3) Emphasis: Emphasis is actually two circuits that surround the compressor and saturator. Pre-emphasis boosts the high frequencies before the compressor and saturator (CompSat), soft clipping them sooner than normal, while a de-emphasis cuts the complementary frequencies after the CompSat. Emphasis has the added perk of improving signal-to-noise, and is the reason analog tape decks used emphasis to begin with.4) Mix Control: The modern recording engineer often employs the technique of mixing between the compressed and the dry (or uncompressed) signal. This can often help maintain transients and a sense of dynamic range while enhancing the low level nuances. Mike-E has a built-in mix control to submix uncompressed signal along with the compressed signal. As you rotate the MIX control from full right to full left, you goe from the full compressed signal to the full dry signal (absent of any compression or saturation).About Empirical Labs:Empirical Labs was started in 1988 and functioned mainly as a recording studio and electronics consulting firm. The founder, Dave Derr, was also employed at the time by Eventide as an audio engineer and was one of the core designers of their legendary H3000. EL's first product, the EL8 Distressor (#501578) immediately took the recording industry by storm and hardly a record has been made without it since. With a mission "to make products that work a little easier, a little better, a lot longer, and are fun to use," Empirical Labs continues to create unique and innovate products that quickly find homes among the top professionals of the audio industry (and anyone else who wants in on the Empirical Labs sound).Empirical Labs Users:Aerosmith - Joe Perry (8 Distressors)Al SchmidtAlanis MorrisetteAngela Piva - Mary J Blige, Naughty by Nature, Janet JacksonAshes dIvideBilly HowerdelBilly Sheehan (Mr. Big, Niacin, David Lee Roth)Bob Clearmountain - Journey, Bryan Adams, Stones, Springstein, etc, etc, etc!Bob DylanBob PowersBon JoviBrendan O'Brien -Producer Mixdown EngineerBruce Calder - (Electric Lady Studios, Degeneration)Butch VigCherChimeraChris Lord AlgeChuck AinlayClair BrothersCold PlayCraig Melvin (Gloria Estefan)Creed - Eight Distressors on their 2003 tourD & D Studios NYCDaniel Lanois (U2)Dave Hewitt - Remote Recording ServicesDave Matthews —David KahneDeath Cab for CutieDisturbedDolly PartonDon WasDust Brothers (John King)Ed Cherney -Ed Kowalcyzk - LiveEddie Kramer (JimiHendrix)Effanel Remote recording - Randy Ezratty, 2003 GrammysElton JohnEminemEric Schilling - Gloria Estefan, John SecadaFinn Halle - GermanyFiona AppleFive Towns College (6 Distressors)Fleetwood MacFletcherFull Sail School for the Recording ArtsGeorge MassenburgGoo Goo DollsGreg Calbi - Sterling SoundGungi PattersonHoleJason Slater - Snake River ConspiracyJay Baumgartner - NRG StudiosJay Gordon - Producer, Lead Vocalist of OrgyJerry Harrison - Live, Verve Pipe, (12 Distressors)Jerry Only - The MisfitsJoe BerisiJoe Chicarelli - Hole, Beck, U2, etc!Joe SatrianiJohn Agnello - Producer, Engineer, MixerJohn Kurzweg - CreedJohn McBride at Blackbird Studios - 8 Distressors, 4 Fatsos, 2 Lil FrEQsJohn PaternoJohn Patterson —John SicketJosh Abraham (Orgy, Staind, Korn, Limp Bizkit)Judy SaiyaJulien - KKevin KillenKip WingerKooster McAllister - Record Plant RemoteLinkin ParkMarc Costanzo, LenMark AnthonyMark Plati - David BowieMaroon 5Matt WallaceMegadethMetallicaMichael BienhornMichael Wilton (Queensrych)Micheal Brauer - Sony Studios NYCMick Gazauski — (Mariah Carey, Boyz 2 Men, Toni Braxton, etc.)Mick Hughes - Metallica FOH EngineerMike Keating (Sting, Bush, Springstein live)Mike ShipleyMillbrook SoundMitch GoldfarbMutt LangeN SYNCNatalie MerchantNate KunkelNikki Sixx (Motley Crue)Nine Inch NailsOutsmarting SimonPaul Tennebekk (Norway's Midwest Audio)Peter DenenbergPhil (the Buther) Nicolo (The Stones, Amy Grant, Sting, Aerosmith, Judy Saiya)Phil Ramone/John PattersonRammsteinReal World Studios - (Peter Gabriel's facility in England)Ricky MartinRoey Shamir - Information Society, Al B SureRoss Hogarth - (Jewel, Coal Chamber, Grade 8)Ryan Hewitt - Engineer ExtraordinareScott Anthony - Dessau recording, Beastie BoysSeal - on tourSean Beresford (3rd Eye Blind)Shania TwainSheryl CrowSound KitchenStaindStingStone Temple PilotsSue Shoemaker - Blues TravelerTchad Blake - Sheryl Crow, Richard Thompson, Crowded House, Pearl Jam, Bonnie RaittThe Academy IsThe PoliceThe Voyager Remote Truck in ParisThe WhoTom Lord AlgeTony LevinWheatusWhitney HoustonWoodland Studios - Robert Solomon
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