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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
King 2102 2B Legend Series TromboneThe 2102 2B Legend is a classic jazz trombone design. The King 2102 2B features a 481-.491-inch dual bore for excellent projection and clear upper range. This trombone is the choice of many jazz players.
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I've been playing this horn since 1986. I bought it brand new and it?s the only straight tenor I've ever used for jazz. The horn is strong and sturdy. It is built very well. It has a very beautiful and clear sound. Throughout my career as a lead and solo trombonist, I have been told by conductors that I needed to back off a little because I was out-blowing the t-bone section and the lead trumpet. This horn is easy to blow and has a lot of power in reserve. I originally used the King 12C mouthpiece that came with the horn but now use a Schilke 47C. I highly recommend this horn.
(This) is one of the best jazz trombones I have ever used. It projects very well and accents and natural lip slurs are amazing on it.
King trombones are just that, "King" of the pack. Superb action, the tones ring true, and you feel as if you are "right there" riding on top of your tone ... a perfect bone sound, not too dark, and not too bright unless you *want* it to be.
Like another poster, I was told that I was too bright in the Symphonic Band when playing one of these (so I bought a 3B for that), but in Jazz Band it was spot on the best horn for the job. I played lead for 3 years of 4 at the University, over players who were technically superior to me, and it was at least in part because they couldn't match my jazz tone with their symphony-and-government-approved Conn 88H's.
Note that, at least on older models, this horn does *not* have a spring loaded slide receiver. You'd better have your ears on when playing 1st position, 'cause you can't sharp it. The horn has a great look to it, and as I mentioned, it's excellent craftsmanship. You'll be shopping around for the best repair guys 'cause you won't want just *anyone* working on your King.
This horn is fantastic! I usually play on a Bach Trigger horn for all of my concert work. This trombone however is astounding in every way. It has an amazingly smooth slide, and is very light. It has a sound quality that is hard to beat, especially in jazz soloing, and in a jazz ensemble. All in all I would recommend this horn to anyone, from the oldest player, to a student who is just beginning to get serious about playing trombone.