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CTM-40 Tuner and Metronome
Remaining Quantity: 51
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
King 2103 3B Legend Series TromboneThe King 2103 3B Legend Professional Trombone has been the preferred trombone by studio musicians and professional jazz players for decades. The King 3B features a .508 bore and nickel silver outer hand slide for excellent tone and quick response. The 3B Legend is available with a yellow brass bell (2103), gold brass bell (2103G), Sterling silver bell (2103S) or Sterling silver bell with gold trim (2103SGX). The 2103 3B is also available with an optional F attachment valve. This instrument merits serious consideration by any serious player seeking to find a horn they can live with for a long time.
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This horn is amazing, granite iv been playing my olds since 6th grade and it's pretty beat up, but out of all the other horns iv ever played on this one has the best slide action, a perfect pop to it, and with the right practice hits the high partials with ease, i can slot the 2nd Eb above the staff as a partial, which has always been a problem past the c/d partial. I highly recommend this horn to any serious jazz player!
As with another review, I too used the Bach LT16M for 20 years for jazz and dance band. Upon reading some discussions and reviews of the 2103 3B, I tried this horn and decided to change trombones. I found the 2103 3B easier to control in the high register, easier to control dynamically and easier playing lip trills. But most importantly, the tone was sweeter and less focused yeilding a warmer timbre. This enables me to blend better in a jazz sectional yet I can still project forcefully during solos.
Played horn out of the box at dance band rehearsal...was awed with the ease of playing all registers; didn't much like the 7C mouthpiece, too harsh tone, squealing highs robust but very harsh.
Of all the horns I have own, which is considerable, I've found my 2103 3B to have the best slide action of them all. I like the light weight feel of the horn, and it is my horn of choice for recording.
I used to play on a Bach LT16M. Don't get me wrong, it's a great horn, but I didn't realize what I was missing until I broke the Bach and had to borrow a friends' King 3B for rehearsals while it was getting fixed. The 3B has the versatility to pop out low notes, while still being able to soar through the upper register where the Bach got cloudy and resistant. Double High F's are a cinch. With such an easy-blowing horn it is incredibly easy to float on top of the section, or bury the whole band, if you're so inclined ;) I had tried a 2B Plus, and felt like I was blowing through a straw into a soda and making bubbles, but with the larger bore of the 3B, you can darken your sound in section playing. But the part I like best is how easy it is to get the perfect laser-beam lead trombone sound i've spent years trying to obtain.