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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Legere Studio Cut Tenor Saxophone ReedFreer blowing and more flexible, the Studio Cut Tenor Saxophone Reed is the choice of many jazz and show musicians. Sold individually.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have used rico plasticover, bari, and fibracell reeds with some success. Love the fibracell and plasticover, bari are a 2nd or 3rd choice or standby. I rate the legere lower because the performance does not warrant the expense. Alt range is slightly improved over cane reeds but the overall tone quality is inferior. I have been playing sax for 42 yrs, 33 of it professionally. I have used the plasticover since 1978 on bari sax and the fibracell for about 4 yrs on all my horns.
I first got a Legere reed for my soprano. After 2 years I am still using the SAME reed! When I use another reed, my friends comment that my sound isn't as good. I've started using them on my other horns with the same results. Allow a couple of days to get used to it, after that you won't be sorry.
When lined up on Dukoff the clear reed is hard to see, especially in dark bar.
I have used on tenor (#2 on Ottolink 7* metal) for 2 years now - I play in often drafty conditions where cane reeds dry out. I have not heard good things about artificial reeds over the years so would not have tried Legere had my nephew who just got his masters in performance sax said everyone at school was using them. He only uses them for practice, but I found I actually prefer cane in practice and Legere for performance since they always work and never get dry. I can pick up horn on stage and immediately play with no worries. I do notice that a good cane reed broken in can sound sweeter than I can play with Legere but you can't beat the reliability and versatility. For me it works but I can see perfectionist may not like them, esp. for studio work. But for me, no more late nights trying to finish cane reads which is time spent practicing in instead! I'd be interested in more readers giving their opinions.
I thought I would give these reeds a shot after hearing so many great things about them. I'm a cruise ship performer and wear traditional reeds out quickly and was seeking something that would last longer and sit for awhile without drying out and warping. While I really like them on my clarinet, they do not sound very resonant or consistent on my tenor. I think it may have something to do with the mouthpiece material, as I've always found synthetics to sound buzzy or distorted on a metal mouthpiece. May work fine for YOUR hard rubber, but I didn't like them on mine and switched right back to cane. Bottom line: good to have as an emergency backup, but don't rely on them to give you your best sound.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.