Our Price: $19.99
Sale: $14.95 (25% off)
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Silver Trumpet Master Care Pack
Remaining Quantity: 25
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Price valid on in stock items only.
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Legere Studio Cut Tenor Saxophone ReedFreer blowing and more flexible, the Studio Cut Tenor Saxophone Reed is the choice of many jazz and show musicians. Sold individually.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I wrote review last year but wanted to note I find the studio cut for my tenor with Otto Link MP brighter than the non-studio cut. I still use Legere exclusively. Sometimes I miss cane sound but I just don't have the time or patience to deal with cane anymore. For my soprano with the relatively closed C* instead of the wide open MP of my link, then I still use cane because drying and quality of cane isn't so much of an issue in that case and my reeds last longer.
I've had some major technical errors in trying to find the right strength size to suit me but I eventually ended up with 2 3/4 and wow, is really is amazing. The altissimo range belts out like a screaming guitar or soprano sound. I use an Otto Link mouthpiece on a saxophone with the Legere reed I am a saxophone GOD.
I originally had doubts about any manufactured reed until I tried this one. We all know the typical trials and errors we go through to get the perfect reed every time we buy a box. For some of us, it may even be exciting and fun to see how many good ones we get in a box even after we still have to make adjustments to them. These reeds are truly remarkable in that they work immediately with no need to wet them or to trim them. They last a long time and keep their excellent tone much longer than you would ever expect. It is worth paying the higher price to get at least one and see for yourself. I play tenor sax with an Otto link metal mouthpiece, and have been very pleased (and surprised) about the quality of this reed. It might take a small adjustment at first compared to your cane reeds, but then again most cane reeds need adjustments for each one you use and they never continue to work well for long (especially, it seems, when you need it the most). Don't buy this reed if you enjoy the challenge of buying a whole box of reeds that hopefully will produce one or two that work for a few sessions
I have been using synthetic reeds since 1974, when I played in the One O'Clock Band at North Texas. I have tried Bari, Fibrecane, Fibracell, and the Dieter Hahn reeds. I am currently using the Legeres on tenor, alto, and soprano Saxes. I find these reeds superior to all previous reeds I've tried in terms of consistency, response, timbre flexibility, and durability. I would highly recommend these reeds, especially for beginners who need the consistency aspect of these reeds.
I have used on tenor (#2 on Ottolink 7* metal) for 2 years now - I play in often drafty conditions where cane reeds dry out. I have not heard good things about artificial reeds over the years so would not have tried Legere had my nephew who just got his masters in performance sax said everyone at school was using them. He only uses them for practice, but I found I actually prefer cane in practice and Legere for performance since they always work and never get dry. I can pick up horn on stage and immediately play with no worries. I do notice that a good cane reed broken in can sound sweeter than I can play with Legere but you can't beat the reliability and versatility. For me it works but I can see perfectionist may not like them, esp. for studio work. But for me, no more late nights trying to finish cane reads which is time spent practicing in instead! I'd be interested in more readers giving their opinions.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.