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Swing Favorites Big Band Play-Along Vol. 1 Trumpet Book/CD
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This instrument or product has been carefully played/used and returned to us in
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Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
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Legere Studio Cut Tenor Saxophone ReedFreer blowing and more flexible, the Studio Cut Tenor Saxophone Reed is the choice of many jazz and show musicians. Sold individually.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have used on tenor (#2 on Ottolink 7* metal) for 2 years now - I play in often drafty conditions where cane reeds dry out. I have not heard good things about artificial reeds over the years so would not have tried Legere had my nephew who just got his masters in performance sax said everyone at school was using them. He only uses them for practice, but I found I actually prefer cane in practice and Legere for performance since they always work and never get dry. I can pick up horn on stage and immediately play with no worries. I do notice that a good cane reed broken in can sound sweeter than I can play with Legere but you can't beat the reliability and versatility. For me it works but I can see perfectionist may not like them, esp. for studio work. But for me, no more late nights trying to finish cane reads which is time spent practicing in instead! I'd be interested in more readers giving their opinions.
I've used these reeds for years ... mostly on Tenor and Alto. Way better than spending hours soaking, stroking, and all the other nonsense associated with natural reeds. Plus ... NO MOLD! While I do find these will "soften" a little after about 6 months, it's way better than buying cartons of natural reeds, finding a few good ones, and only to ultimately toss after only a few weeks of steady play. Spend your time on technique development, not experimenting on getting a reed to work right.
I thought I would give these reeds a shot after hearing so many great things about them. I'm a cruise ship performer and wear traditional reeds out quickly and was seeking something that would last longer and sit for awhile without drying out and warping. While I really like them on my clarinet, they do not sound very resonant or consistent on my tenor. I think it may have something to do with the mouthpiece material, as I've always found synthetics to sound buzzy or distorted on a metal mouthpiece. May work fine for YOUR hard rubber, but I didn't like them on mine and switched right back to cane. Bottom line: good to have as an emergency backup, but don't rely on them to give you your best sound.
I have been using synthetic reeds since 1974, when I played in the One O'Clock Band at North Texas. I have tried Bari, Fibrecane, Fibracell, and the Dieter Hahn reeds. I am currently using the Legeres on tenor, alto, and soprano Saxes. I find these reeds superior to all previous reeds I've tried in terms of consistency, response, timbre flexibility, and durability. I would highly recommend these reeds, especially for beginners who need the consistency aspect of these reeds.
I wrote review last year but wanted to note I find the studio cut for my tenor with Otto Link MP brighter than the non-studio cut. I still use Legere exclusively. Sometimes I miss cane sound but I just don't have the time or patience to deal with cane anymore. For my soprano with the relatively closed C* instead of the wide open MP of my link, then I still use cane because drying and quality of cane isn't so much of an issue in that case and my reeds last longer.
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