Our Price: $13.95
Sale: $9.95 (29% off)
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36 Studies for Trombone with F Attachment
Remaining Quantity: 4
*Additional discounts do not apply
Price valid on in stock items only.
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Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Legere Studio Cut Tenor Saxophone ReedFreer blowing and more flexible, the Studio Cut Tenor Saxophone Reed is the choice of many jazz and show musicians. Sold individually.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I have used rico plasticover, bari, and fibracell reeds with some success. Love the fibracell and plasticover, bari are a 2nd or 3rd choice or standby. I rate the legere lower because the performance does not warrant the expense. Alt range is slightly improved over cane reeds but the overall tone quality is inferior. I have been playing sax for 42 yrs, 33 of it professionally. I have used the plasticover since 1978 on bari sax and the fibracell for about 4 yrs on all my horns.
I thought I would give these reeds a shot after hearing so many great things about them. I'm a cruise ship performer and wear traditional reeds out quickly and was seeking something that would last longer and sit for awhile without drying out and warping. While I really like them on my clarinet, they do not sound very resonant or consistent on my tenor. I think it may have something to do with the mouthpiece material, as I've always found synthetics to sound buzzy or distorted on a metal mouthpiece. May work fine for YOUR hard rubber, but I didn't like them on mine and switched right back to cane. Bottom line: good to have as an emergency backup, but don't rely on them to give you your best sound.
I was introduced to Legere reeds by David Caldwell in Canada, and was immediately impressed. My original intent was to use the Legere reeds for practice sessions and continue usind regular cane reeds for gigs. However, I now find myself preferentially playing the studio cut on both alto and tenor.
The interesting thing about these reeds is that they play well on my all my various mouthpieces, such as a very old Dukof, old Otto Link, copper Sugal, old Berg Larsen, New York Meyer, et al. They do respond a little differently to a regular cane reed, but one quikly gets used to that aspect of the reed.
The concept of 1/4 strength increments is absolutely perfect, because it is essential to find the correct strength for the setup oneis using. For instance, depending on the mouthpiece, I use either a strength 2.0, 2.25, or 2.5. I now strongly recommend the Legere reeds to anyone that will listen.
I originally had doubts about any manufactured reed until I tried this one. We all know the typical trials and errors we go through to get the perfect reed every time we buy a box. For some of us, it may even be exciting and fun to see how many good ones we get in a box even after we still have to make adjustments to them. These reeds are truly remarkable in that they work immediately with no need to wet them or to trim them. They last a long time and keep their excellent tone much longer than you would ever expect. It is worth paying the higher price to get at least one and see for yourself. I play tenor sax with an Otto link metal mouthpiece, and have been very pleased (and surprised) about the quality of this reed. It might take a small adjustment at first compared to your cane reeds, but then again most cane reeds need adjustments for each one you use and they never continue to work well for long (especially, it seems, when you need it the most). Don't buy this reed if you enjoy the challenge of buying a whole box of reeds that hopefully will produce one or two that work for a few sessions
When lined up on Dukoff the clear reed is hard to see, especially in dark bar.
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.