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Description
A multi-effects pedal with 16 high-def amp models, 100+ M-class effects, and plenty of I/O.
  • HD amp models that feel, behave, and interact with previously unachievable realism for an entirely new playing experience
    16 HD amp models based on the most sought-after guitar tones: California cleans, classic crunch, vibey boutique warmth, modern high-gain, and more
    100+ effects including delays, modulations, distortions, compressors, EQs, filters, and reverbs; Up to 8 simultaneous FX; Tap tempo
    512 user-writable preset locations
    48-second looper with dedicated footswitches for Undo, Play Once, Pre/Post, Rec/Overdub, Play/Stop, Half Speed, and Reverse
    Built-in tuner with signal mute
    1/4" and XLR outputs (mono/stereo); MIDI in, out/thru; S/PDIF out; USB; L6 LINK; FX loop (mono/stereo); 1/4" aux in; XLR mic in with mic level; 1/4" headphone output; Variax VDI connection; External expression pedal input
    Free editor/librarian software
    Bent sheet metal chassis, metal footswitches and expression pedal

Line 6 POD HD500 Guitar Multi-Effects Processor
POD HD500 represents a giant leap forward for amp modeling. It is the only multi-effect pedal that boasts 16 brand-new, state-of-the-art Line 6 HD amp models, 100+ modern and vintage-styled M-class effects, and a comprehensive digital and analog I/O.

HD amp modeling: sound and feel like never before
HD amp models defy the accepted standard. They feel, behave, and interact with previously unachievable realism.

Creating these new HD amp models was no small feat. Line 6 mixed 15 years of amp modeling experience with 3 years of new research and development to build an entirely new amp modeling technology from the ground up. During that time, we hunted down 16 incredible amplifiers and—with the help of LA's top tube amp experts—restored each one back to peak condition. The new modeling technology uses 10 times more amplifier information than before, including single-ended class A tube stages, class AB push/pull interactions, power supply behavior, and more. The result is a high-quality warmth, feel, sustain, and articulation for you to fall in love with.

Tube amp fanatics have long enthused that their favorite stacks and combos aren't merely "amps," but instruments themselves, with playability equal to that of the guitar plugged into them. New HD modeling takes the POD HD experience to that same exalted level, capturing the genuine playability that great guitarists demand.

Your amp collection—now in HD
On the POD HD500's menu is a collection of freshly modeled amps, many of which are brand-new to POD, and all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, multi-FX-sized package.

POD HD500 includes 16 HD amp models based on:
•Fender Twin Reverb
•Hiwatt Custom 100 (DR103)
•Supro S6616
•Gibson EH-185
•Fender Bassman
•Fender Blackface Deluxe Reverb
•Divided by 13 JRT 9/15
•Dr. Z Route 66
•Vox AC-15
•Vox AC-30 (Top Boost)
•Marshall J-45 MkII
•Park 75
•Marshall JCM-800 (2204)
•Bogner Uberschall
•Mesa/Boogie Dual Rectifier
•ENGL Fireball 100

100+ M-class FX
Made famous by Line 6 M13 and M9 Stompbox Modelers, M-class FX have found their way into the hearts of many musicians. POD HD500 features a whopping 100+ M-class effects to craft your sound. With this wide tonal palette to play with, you can sound like anyone under the sun, or no one but you. You can also use up to 8 FX at once.

•19 delays (including cool tube and solid-state tape echoes)
•23 modulations (including both blackface-style opto and brownface bias-modulating tremolo, phasers, choruses, and rotary speakers)
•17 distortions (classic stompbox distortion, to vintage fuzz, to thick metal chunk)
•12 compressors and EQs (including stomp comps and studio tube compression)
•26 filters (including wahs and several exclusive custom filters)
•12 reverbs (from surfy springs, to studio plates, to cutting-edge digital room sounds)

The power of this collection is truly mind-boggling. In addition to these classic sounds themselves, POD HD500 functions as a fully featured looping, pitch shifting, and harmonizing machine. Ready to start creating? This rig could keep you going for a lifetime.

Unprecedented flexibility—stunning simplicity
Beyond the mere depth of the amp and FX models, POD HD500 offers flexibility to mix and match amps and pedals in multiple pre-set rigs, attainable at the stomp of a switch.

Scale from an instantly routable signal chain up to the flexibility of a MIDI switching system and beyond, (even compiling several rigs within the POD HD500's memory, storing a full rig per "slot" with total flexibility and direct access).

The engineer's behind POD HD500 made it easy to access its deep programmability. Smart FX make it a snap to quickly dial in your tone, and the free, easy-to-use editor/librarian software supports your deepest, darkest tonal explorations. POD HD500 was designed by guitarists for guitarists.

Comprehensive connectivity for live and studio use
Put simply, POD HD500 connects to just about anything and everything—analog or digital, balanced or unbalanced, for amplification or recording.

A snapshot of the back panel shows 1/4" and XLR outputs (mono/stereo), USB, MIDI in and out/thru, S/PDIF out, FX loop (mono/stereo), guitar, and mic aux ins with mic level, Variax connection, expression pedal input and a L6 LINK jack for seamless integration with Line 6 DT50 tube amplifiers.

Edit and organize and all your sounds via computer with the included editor/librarian software (works on Mac and PC).

Built like a tank
POD HD500's cutting-edge technology is kept safe within a "bulletproof" bent sheet metal housing with heavy-duty metal footswitches and expression pedal. No injection-molded plastic boxes here—POD HD500 is ready to lap up years of road and stage abuse and keep you playing.

Version 1.3 Firmware update now available!
Power-boost your POD® HD multi-effect with an additional six HD amp models and five amp parameters – all for free in firmware update v1.3.

To get v1.3 just connect your POD HD via USB to your computer, run Line 6 Monkey™ Intelligent Updater and follow the instructions.

Firmware update v1.3 includes six HD amp models based on* channels from three classic American combos (the “Vibrato” channel of a Fender® Deluxe Reverb®, the “Vibrato” channel of a Fender® Twin Reverb® and the “Bright” channel of a Fender® Bassman®), two British half stacks (the “Normal” channel of a Park 75 and the “Normal” channel of a Marshall® JTM-45 MkII) and a high-gain Line 6 original.

Five additional, fully adjustable amp parameters don each new HD amp model (and will be added to the HD amp models you already have). Further customize essential aspects of tube amp feel and behavior with Sag, Hum, Bias, Bias Excursion and Master Volume.

Meet the new HD amp models:

Blackface ‘Lux VIB
The “Vibrato” channel rounds out the HD model based on* the classic combo that’s considered by many to be the ultimate studio amp: Fender® Deluxe Reverb®.

Blackface Double VIB
Fender® Twin Reverb® is an all-time classic of biting twang and shimmering clean tones. This model is based on* a Fender® Twin Reverb® “Vibrato” channel, which is a separate preamp circuit with clipping characteristics that are different than the “Normal” channel due to an additional 12AX7 tube stage.

Tweed B-Man BRT
Based on* a Fender® Bassman®, the amp that started it all – instant rock and roll tone. This model is based on the amp’s “Bright” channel, which provides a different voicing from the “Normal” channel by utilizing the second half of the first preamp tube. (The “Normal” channel uses the first half only). High frequencies are increased due to the addition of a bright cap across the volume knob.

Brit J-45 NRM
This model is based on* a Marshall® JTM-45 MkII, which marked the beginning of the distinctively bright and crunchy sound that Marshall amps are known for. The “Normal” channel is adept at big, bold clean tones.

Brit P-75 NRM
Based on* the “Normal” channel of a Park 75, a Jim Marshall-designed amp that enjoys cult status for its powerful Plexi-style tones. The “Normal” channel delivers a slightly darker tone than the “Bright” channel, a model of which already appears in POD HD.

Line 6 Elektrik
A face-melting, soul-weeping Line 6 original with high-gain capacity, interactive presence and mid-range controls. Careful, this might hurt a little…

*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied during Line 6’s sound model development. Fender, Bassman, Deluxe Reverb and Twin Reverb are registered trademarks of Fender Musical Instruments Corporation. Hiwatt is a registered trademark of Fernandes Company Ltd. Supro is a registered trademark of Zinky Electronics, LLC. Gibson is a registered trademark of Gibson Guitar Corp. Dr. Z is a registered trademark of Dr. Z Amps, Inc. Vox is a registered trademark of Vox R&D Limited. Marshall is a registered trademark of Marshall Amplification Plc. Bogner is a registered trademark of Bogner Amplification. Mesa/Boogie and Rectifier are registered trademarks of Mesa/Boogie Ltd. Engl is a registered trademark of Ausflug, Beate and Engl, Edmund.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!


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"Different is good"


by Steve B - 11/11/2010 12:24:57 PM  Share
Musical Experience: Style of Music: Hometown:
Professional Pop, rock Stillwater, OK
1 person out of 169 found this review helpful

As an X3 user both live and in the studio, the HD baffled me at first (I've had it one day as of this writing). Factory settings were just weird (ring modulators, synth octaves...) and only a few usable. It eventually hit me that you MUST program it to get usable setups. Think of it more like an amp with devices in a pre/post amplifier chain than you would with an XT or X3 and everything clicks. I have a Route 66 (compressor/distortion), Boss DD-20 (GigaDelay) and a short board around the X3 to get multiple distortions/delays. No more with the HD. Once I finally "got" the HD, I set up a volume pedal, noise gate, compressor, 2 distortions before the amplifier and 2 delays+reverb post amplifier. Wow - you can't do that with the X3... It sounds great, though it's not immediately obvious whether it completely delivers on the hype about better amp modeling - I need to spend more time comparing like models to the X3 before drawing conclusions. What I like 1. All in one (like the X3 live) means less cable mess and less gear to own. 2. No more direct boxes. 3. Configurable effects chain (this is a HUGE improvement) 4. Fewer, more selective amp models that cover the waterfront for 99.9% of us. 5. A wider variety of devices to choose from. 6. An effects loop (configurable location in the chain) in case you want to keep some of your most prized stomp boxes. This is great as I used to put the DD-20 after the X3 but had to dial back the X3 volume so as not to overdrive the DD20. No longer an issue with the HD. Caveats 1. The tap tempo is physically closer to the expression pedal than with the short board, so I found myself shutting the volume off when attempting to tap. My size 10 makes it difficult. There's no way to hit the button with the center of the foot, you have to move to the right, which then risks hitting the adjacent button on that side. :-( 2. If you configure an enabled effects loop, make sure you have something connected to pass the signal. The HD will not bypass it automatically, thus shutting off the signal. Not a flaw, just something to be aware of... 3. Firmware is evolving. I downloaded FW last night (Nov 10) and the better tuner (more precise display) passed the signal when tuning. I'm sure they'll fix that. 4. No bass amps. I will MISS this as I use the X3 in the studio and it has some great bass amp emulations. Hey Line6 - any chance of updates with bass amps in the near future? :-) 5. Dual tone is different. With the X3 you literally can get to different amp outputs in the left and right output. It doesn't appear so with the HD, though I haven't gone to the mat on that one. 6. Assignable buttons. The XT/X3 have a fixed relationship of button to function. The HD will assign by default, but better to take matters into your own hands and assign consistent locations for functions. Bottom Line If you own an X3 live, HD probably doesn't make sense (unless, upon further comparison, I discover that the amp emulations are stunningly better). If you have an X3 in the studio with the external devices you need, the HD may not buy you much. XT? I'd consider upgrading for the improved sound. If you play live with an standard XT or X3, the HD is a BIG improvement.

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