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Sale: $16.98 (32% off)
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DELTALAB CT10 CLIP ON TUNER
Remaining Quantity: 605
*Additional discounts do not apply
Price valid on in stock items only.
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris S80 Series Alto Saxophone MouthpieceA top-quality professional level mouthpiece, the Selmer S80 Series for alto saxophone is popular the world over. Machined from hard rod rubber to assure stability, accuracy and consistent facings, these mouthpieces feature a square cross section in the chamber instead of the conventional arch. It is available in a variety of tips.Model C: Tip: Close (1.60) / Facing: Med (22.00) Model C*: Tip: Medium Close (1.70) / Facing: Medium (22.00)Model C**: Tip: Medium (1.80) / Facing: Medium (22.00)Model D: Tip: Medium (1.90) / Facing: Medium (22.00)Model E: Tip: Medium Open (2.00) / Facing: Medium (22.00)Model F: Tip: Medium Open (2.20) / Facing: Medium (22.00)Model G: Tip: Open (2.40) / Facing: Medium (22.00)
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
I find this mouthpiece to be a beautiful first step towards a great classical sound if you are a High School or Middle School player. However, once at a University, I believe it is very important to find a mouthpiece which will exemplify the type of player you want to be. If you are a jazz player, you will have to find a better mouthpiece for jazz- this will not do. If you will be primarily a classical player, you need to decide if you will be playing mostly Broadway-type gigs, band gigs, or orchestral gigs. I do not find the Selmer C* (or the Larry Teal) to be appropriate- in my case- for the dark, rich sound needed to blend and tune with an orchestra. For that, I recommend a mouthpiece with a much larger chamber, and not a small chamber (such as the LT or C*) shaped either in a circle or square (as these two mouthpieces are). I have found the Caravan mouthpieces to blend with orchestra and produce a rich, dark sound- not found with this mouthpiece. In fact, I have even been told my sound is "too dark" in some cases... One more suggestion, if you are in MS or HS and are considering buying any new mouthpiece, be sure to buy about 3 at first, try them out, and then return the two you didn't like. WWBW has a great policy with this and it is the ONLY way you should buy any mouthpiece. It is quite possible to get a "dud" mouthpiece (relatively speaking) and to counter this, try 3 out first!!
This is one of those mouthpieces that are easily mastered and are good for those who want good tone quality for ensemble and classical playing. The best reeds to use on this mouthpiece are by far, Vandoren Traditional. I?ve tried so many other reed s on this mouthpiece but none even come close to Vandoren. The square camber of this mouthpiece provides easy blowing and great intonation. I would recommend this to anyone who is looking for something better but maybe not someone who wants a jazz or pop saxophone sound.(the sound this mouthpiece produces is very unbright and neutral sounding sax sound. It doesn't come too close to the sound of professional sax players such as Kenny G or Gerald Albright.)
The C* has been recommended to me by students and teachers alike. Playing on my C* with my selmer signet is an amazing combination. I can get a really nice sound from most reeds. The C* provides wonderful tone and I would never get rid of it. The C* is definitely a worthwhile investment.
the c* makes a great classical mouthpiece. none come close to it. great for classical music, it will really improve your tone. I play this with a rovner ligature and vandoren strength 3 reeds. the only thing I don't like is that it can be a pain to clean. no other mouthpieces I've had are as hard as this one to keep clean, don't know why either.
This mouthpiece is fantastic for the junior high and high school player. It gives you just the sound you need to be successful on auditions and sound warm,dark, and well rounded playing with your wind ensemble.
It shouldn't be used for Jazz band because it lacks the projection and flexibility you need.
I had much success with this through college. But when playing improve and jazz you need something with a larger opening and chamber.
I recommend it to all my students and they are very successful with this no matter what sax they are playing pro level or student.
So if you are in school or just want the best sound for your auditions for legit, concertos, or wind ensemble don't hesitate and buy this mouthpiece and do a lot of long tones!