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Item# 463101 796
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4.69 based on 26 Customer Reviews26 Customer Reviews Write a Review
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Save $122.00 (43%), MSRP $281.00
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Description
Precision crafted with a firm yet responsive feel.
  • Hard rubber
    Square cross-sectioned chamber
    Standard facing

Selmer Paris S80 Series Alto Saxophone Mouthpiece
A top-quality professional level mouthpiece, the Selmer S80 Series for alto saxophone is popular the world over. Machined from hard rod rubber to assure stability, accuracy and consistent facings, these mouthpieces feature a square cross section in the chamber instead of the conventional arch. It is available in a variety of tips.

Model C: Tip: Close (1.60) / Facing: Med (22.00)
Model C*: Tip: Medium Close (1.70) / Facing: Medium (22.00)
Model C**: Tip: Medium (1.80) / Facing: Medium (22.00)
Model D: Tip: Medium (1.90) / Facing: Medium (22.00)
Model E: Tip: Medium Open (2.00) / Facing: Medium (22.00)
Model F: Tip: Medium Open (2.20) / Facing: Medium (22.00)
Model G: Tip: Open (2.40) / Facing: Medium (22.00)

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"Bright classical sound"


by Tammy - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Professional Classical New York
22 people out of 32 found this review helpful

I find this mouthpiece to be a beautiful first step towards a great classical sound if you are a High School or Middle School player. However, once at a University, I believe it is very important to find a mouthpiece which will exemplify the type of player you want to be. If you are a jazz player, you will have to find a better mouthpiece for jazz- this will not do. If you will be primarily a classical player, you need to decide if you will be playing mostly Broadway-type gigs, band gigs, or orchestral gigs. I do not find the Selmer C* (or the Larry Teal) to be appropriate- in my case- for the dark, rich sound needed to blend and tune with an orchestra. For that, I recommend a mouthpiece with a much larger chamber, and not a small chamber (such as the LT or C*) shaped either in a circle or square (as these two mouthpieces are). I have found the Caravan mouthpieces to blend with orchestra and produce a rich, dark sound- not found with this mouthpiece. In fact, I have even been told my sound is "too dark" in some cases... One more suggestion, if you are in MS or HS and are considering buying any new mouthpiece, be sure to buy about 3 at first, try them out, and then return the two you didn't like. WWBW has a great policy with this and it is the ONLY way you should buy any mouthpiece. It is quite possible to get a "dud" mouthpiece (relatively speaking) and to counter this, try 3 out first!!

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"Perfectly Suitalbe for Ensemble and Classical Music..."


by Mike - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
Advancing musician 2+ years Pop, Jazz, Rock, to classical Cape Coral
9 people out of 14 found this review helpful

This is one of those mouthpieces that are easily mastered and are good for those who want good tone quality for ensemble and classical playing. The best reeds to use on this mouthpiece are by far, Vandoren Traditional. I?ve tried so many other reed s on this mouthpiece but none even come close to Vandoren. The square camber of this mouthpiece provides easy blowing and great intonation. I would recommend this to anyone who is looking for something better but maybe not someone who wants a jazz or pop saxophone sound.(the sound this mouthpiece produces is very unbright and neutral sounding sax sound. It doesn't come too close to the sound of professional sax players such as Kenny G or Gerald Albright.)

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"Beautiful Mouthpiece"


by DiTomasso - 1/13/2014 10:01:24 PM  Share
Musical Experience: Style of Music: Hometown:
5 High school ensembles Jazz, Blues, Classical, Symphonic PA

The C* has been recommended to me by students and teachers alike. Playing on my C* with my selmer signet is an amazing combination. I can get a really nice sound from most reeds. The C* provides wonderful tone and I would never get rid of it. The C* is definitely a worthwhile investment.

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"Great!!"


by Stetson - 6/22/2014 8:06:33 PM  Share
Musical Experience: Style of Music: Hometown:
Student Jazz and classical Othello, Washington

the c* makes a great classical mouthpiece. none come close to it. great for classical music, it will really improve your tone. I play this with a rovner ligature and vandoren strength 3 reeds. the only thing I don't like is that it can be a pain to clean. no other mouthpieces I've had are as hard as this one to keep clean, don't know why either.

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"Nothing better for School auditions"


by Captainculpeper - 4/18/2011 5:40:20 PM  Share
Musical Experience: Style of Music: Hometown:
30 year professional-teacher All Pittsburgh PA
2 people out of 3 found this review helpful

This mouthpiece is fantastic for the junior high and high school player. It gives you just the sound you need to be successful on auditions and sound warm,dark, and well rounded playing with your wind ensemble. It shouldn't be used for Jazz band because it lacks the projection and flexibility you need. I had much success with this through college. But when playing improve and jazz you need something with a larger opening and chamber. I recommend it to all my students and they are very successful with this no matter what sax they are playing pro level or student. So if you are in school or just want the best sound for your auditions for legit, concertos, or wind ensemble don't hesitate and buy this mouthpiece and do a lot of long tones!

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I am looking for Selmer S-80 C* mouthpiece for alto sax. All I can see on your site is C, C1, C2. Which is the C*?
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I'm currently in 10th grade and I play the alto sax in my school band. Can you give me your opinion on the Rovner?
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Is there a difference In tone quality between alto sax mouthpieces such as vandoren and c star? Selmer mouthpieces have letters a thru h. What do they mean?
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What are the options on the pull down list referring to?
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I found a better price on the s80 selmer paris c * alto saxophone mouthpiece.but i cant find a beat this price on this item. Will you beat it?
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