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Joe Satriani (2-DVD Set)
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
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applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
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a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
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Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Selmer Paris Soloist Alto Saxophone MouthpieceThe Selmer Soloist mouthpieces for alto saxophones designed by Selmer (Paris) were inspired by the older Soloist model manufactured in the 1940s. Features include a round throat and traditional bead design. Precision tooled from a hard rubber bar, its inner chamber offers a nice direct volume with a warm, centered sound to play both jazz and classical repertoire.Model C*: Tip: 1.70 / Table length: 22.00Model C**: Tip: 1.80 / Table length: 22.00Model D: Tip: 1.90 / Table length: 22.00Model E: Tip: 2.00 / Table length: 22.00Model F: Tip: 2.20) / Table length: 22.00
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A few days ago I went shopping for a mouthpiece. I lined up a massive line of modern and old school mouthpieces such as Brillharts, Myers, E.Rousseau's, Selmers.
I had the pleasure of trying out a Selmer Soloist F. It was nice. I had to play a fair bit before I really got into the mouthpiece. When I was playing with my best tone I sound like Kenny Garret. I really enjoyed that. However, I found this mpc to be a bit low on the responsive side.
It was a toss up between this and the E. Rousseau JDX. So naturally, I kept going back and forth. It wasn't everytime I got a perfect tone out of the soloist, but on the otherside I was getting everything I wanted out of the JDX. As a result I chosed the JDX.
It's not that this is a bad mouthpiece, not at all. If I had the money I would have bought this one too! However, I found it lacked consistency. Whereas I believe in having good tone and working for it, during a gig I don't want to think about how my tone sounds, I want it to be there.
So the tone was nice. The responsiveness wasn't particularly great nor was the consistency all that wonderful. However, as someone said before, this isn't a beginner's mouthpiece and it should be kept away from beginners.
I went out and got this mouthpiece since I was not getting what I wanted from my Meyer. I got the C*, and let me tell you this is the best hard rubber mouthpiece I've ever played. Gives a round and fat tone, with even intonation throughout all registers. It's extremely versatile as well I use it for jazz as well as contemporary and classical music. This mouthpiece is worth every penny.
This is a great Selmer mpc. The tone is so rich! I play on a F facing one and it is so good to me. It produces sorta like a Kenny Garrett tone. Kenny Garrett play a refaced modern soloist by the way. This are great mpcs, don't hesitate to buy. I mainly used mine for jazz. I'm sure they're great for classical too because of the warm, rich tone.
I recently bought a new soloist d for alto and it?s the bomb. Especially on my Mark 6 although it works well on my Yamaha 62 also. Great projection. super easy to play. Can go bright or dark depending on how you play it. For years I?ve been looking for one piece to take care of all my needs and I think I just found it. I?ve played Meyers, Dukoffs, jumbo Javas, Beechlers and this soloist is the best sounding, and easiest mouthpiece I?ve played on alto. Kind of a focused sound. Projects and responds way better for me than the Meyers I?ve used.
One of my favorite saxophonists living has always been Lanny Morgan. The mouthpiece he uses is a modified Selmer Soloist E. When I found out that Selmer released a mouthpiece line modeled after the vintage Selmer Soloists, I immediately went ahead and ordered myself a Selmer Soloist E. As a jazz mouthpiece, I found it to be darker and fuller than my Meyer NY Limited Edition and Vandoren V16, which made me like it more. Not only was I able to sound closer sounding to my hero, Lanny Morgan, but I felt that I could better re-create Phil Woods older sound (growls) better on the Selmer E. It also works so well for me as a classical mouthpiece that I now only use this one mouthpiece. My setup with this mouthpiece is a Selmer Mark VI with a Winslow Ligature and La Voz Medium or Vandoren V16 #2.5.