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Protocol: A Guide to the Collegiate Audition Process for Trombone Book
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Vandoren Klassik Bb Clarinet Ligature and CapThe fiber of this woven ligature has excellent elasticity and great resistance. There are two independent running knots that allow for a quick, personalized tightening. The weaving can be more or less tightened, at the top or bottom of the ligature, offering a great scope of choices of tone colors.
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The Vandoren Klassik manages to give a round, full tone without givving the "edge" that many other ligatures do. The reeds last much longer as they are not crushed at pressure points. The projection and clarity is wonderful and can be heard perfectly from the back of the audience.Wasily adjustable, it allows for a multitude of colors and tones. Although this is a string ligature, it does not muffle the tone. It gives a precise note that has less extra noises like "spitty" and "air rushing" noises.This ligature is the one that I use most of the time. To my knowledge, this supasses the Optimumn, any Rovners, and Olegature
I've tried many metal ligatures and also the Rovner Dark Bb clarinet ligature, and the Klassik has to be the best. On every other ligature, it seems like there is a "tightness" that somewhat constricts your sound making your notes hit overtones (squeaks) easily.
I admit to being a gear freak, lets get that out front. I think I have 10 ligatures at this point for my clarinet. This one is a joy to play, it opens up my clarinet and makes a beautiful sound as well as smoothing out the register changes. Throat tones were also better and the over all response of the clarinet was improved. It is not stuffy or muffled sounding at all, but rather very open and alive. It is a very musical ligature, it just does everything right. Easy to use and worth every penny.
I have had this Vandoren Klassik ligature for about a month now and it is by far the best I have tried. The sound is smooth, deep, and rich. Tightening is easy, and it offers a fairly good range of tonal color changes by tightening or loosening at either end. For a fabric lig, the projection and articulation a quite good. For large ensemble stuff I sometimes use a bonade inverted lig. works wonders with a Selmer Signature amd any good medium to medium close faced mouthpiece. Worth the High priece tag for sure.
Great ligature! The best that I've played (various metal, numerous Rovner's, etc.). It really sets the reed free and allows is to vibrate. Intonation is excellent and projection is very good.
It's a really simple idea based on the German string ligature (see the Youtube videos) and, it works!
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