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Sale: $2.99 (40% off)
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There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
A Designs HM2EQ HAMMER Dual-Mono 3-Band Tube EqualizerThe HM2EQ is a world-class tube/hybrid 3-band equalizer with a dual-mono design. The A-Design's HAMMER is built to sound musical for larger EQ functions typically found on expensive mastering EQs. It features continuously variable boost and cut controls, but with fixed frequency settings. The HAMMER is engineered with a filtering system that allows the even harmonics to flow through the 12AT7 tubes, filtering out unwanted noise. Some notable users who've dropped the Hammer on their tracks are "Golden Ears" Bruce Maddocks, who's mastered mastered Hans Zimmer film scores for Pirates of the Caribbean, The Last Samurai, and Batman Begins, and renowned engineer/producer Ronan Chris Murphy (King Crimson, Terry Bozio) who says, "The Hammer is all about gorgeous smooth top and high mids. It totally opens up the top and brings high mids forward in a really pleasing way. . . . I am just not used to being able crank the top on the rock cymbals so much and have them stay so smooth. Another engineer I really respect described the EQ as "the best EQ" he had ever used . . ." The unit is housed in a 2U metal chassis with an aluminum faceplate and features a toroidal power transformer. Each channel features identical controls, including switches for bypass, high cut and low cut, as well as six large aluminum rotaries for the EQ section - knobs for the LF (30/50/100/200/300/400), MF (250/500/1.2k/1.6k/2k) and HF (2.5k/3.5k/5k/7.5k/10k/15k) bands, plus accompanying knobs offering ±13dB of boost/cut for each frequency range. Connections to and from the product are accomplished on the rear panel via a pair of balanced Neutrik XLR input jacks and pair of balanced XLR output jacks. The HM2EQ is designed for applying broad-shaping EQ across many octaves while sounding beautiful without adverse effects on tone. Very low noise floor. It also has hi-cut at 8Khz and lo-cut at 84Hz filters. There is no other EQ available quite like this. Channel Strips of the Stars: Dylan "3D" Dresdow Primarily a mixer these days, Dylan Dresdow's list of credits includes Black-Eyed Peas, Usher, Michael Jackson, Fergie, and Flo Rida. Dylan was kind enough to share his some of his gear secrets for processing background vocals and kick drum. For my BG vocal chain, I typically use the Crane Song STC-8 compressor into the HAMMER EQ. Sometimes I'll run a high-pass filter pre compression. The (A Designs Audio) EM-PEQ (#241581) usually ends up on my "'main" kick drum track. I can get more punch and click out of it, versus a typical Pultec EQP-1. I used these setups for songs I've mixed recently for Usher ("Revolver", "What's Your Name?"), Michael Jackson ("Starting Something remake 2008"), Fergie ("Clubsy Remix", "Pick It Up"), and Flo Rida ("Ayer")." Channel Strips of the Stars: Ted Perlman Ted Perlman, renowned Grammy-winning producer, musician, arranger, engineer, and programmer, has a resume that reads like a who's who of popular music. His credits include Bob Dylan, Chicago, Burt Bacharach, Elton John, Dave Mason, Brian Wilson, Carole King, Albert Hammond, Jr. (The Strokes), Desmond Child, Young M.C., Dolly Parton, and, well, the list goes on. Ted was kind enough to provide us with his go-to recording vocal chain as well as his choice for guitar and percussion. Here it is, straight from Ted Perlman himself: "I'm producing and writing with Sara Lumholdt of the mega-selling Swedish pop group A-Teens. Her vocal recording chain is: Pearlman TM-LE condenser mic* > A Designs Audio Pacifica preamp (#189903) > Daking FET 2 Compressor (#482850). ALL guitars go through the A Designs REDDI DI box (#189904) > Hammer EQ > Pacifica preamp > Toft DC-2 Compressor (#187025)."
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* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.