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4.43 based on 7 Customer Reviews7 Customer Reviews Write a Review
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Long known for their projection power and ease of play, Claude Lakey mouthpieces are an excellent choice for the player looking for a hard rubber mouthpiece which can be heard in every setting.

Claude Lakey Hard Rubber Alto Saxophone Mouthpiece
The Claude Lakey Rubber Alto Saxophone Mouthpiece
Model 4*3
Easy to control with good projection.Model 53
Even, solid, produces a warm sound with an F projection.Model 4*4
Darker with more resistance.Model 5*3
Has bright f projection.Model 6*3
Has a warmly bright ff projection.Model 7*3
Has a centered round sound ff projection.

Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!

  • Facings: See Above
    Ligature / Cap: Not Included
    Material: Hard Rubber

Customer Reviews
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"Nice cut, great price"

by Nick - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
High School Student, 7 years Jazz, Classical (but not with this mouthpiece!) California
3 people out of 3 found this review helpful

As a lead player in my high school jazz band, I needed a mouthpiece that can really cut and give me a big, commanding big band sound, but was cheaper than a Beechler or a Meyer. My Claude Lakey 6*3 was perfect for this situation. Not only is it affordable, but from it you can get that bright, edgy sound that's perfect for a lead alto player in any jazz band.

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"It goes sharp and won't stay in tune"

by Robert - 11/18/2010 8:54:36 PM  Share
Musical Experience: Style of Music: Hometown:
hobbyist big band, orchestral, jazz, marches United States
2 people out of 12 found this review helpful

I bought the 7*3 Claude Lakey mouthpiece to try and get a larger jazzier sound out of my Selmer Bundy II alto sax. Despite using both my old metal ligature, a Rovner ligature and Rico Jazz Select 2H, 3S, and 3M reeds on the mouthpiece the thing consistently goes sharp after a minute or two of play. I tune it and retune it with my Center Pitch Universal for Band and Orchestra CP2 tuner to no avail. I have to pull the mouthpiece out to the edge of the cork just to get it briefly in tune. Maybe the mouthpiece will work on another brand of instrument, but so far it hasn't worked for me.

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"Easy to get a wide variety of sounds"

by KW Grinnell - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
retired Army Band gosple, post-bop MN
14 people out of 16 found this review helpful

First, ?the? 7*3 is very easy to blow. Second if you want a decent sound you have to practice with this because it's so easy. I use a Rovner dark ligature with a Tenor sax Rico 3 1/2 reed. I know, ?it?s an? odd combination but for a guy that plays a lot of Bari and Tenor it works well. No need for a mic, you can get dirty and peel the paint off the walls or get a nice sweet sound. Easy to blend for lead or really stand out for small group solo work. I've been playing mine for about 24 yrs and can't find an alto mpc that I like better.

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"Best bang for your buck!!"

by K.D. Hadnot - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
College Jazz, Fusion, Post-Bop, and Funk Seattle, Wa
10 people out of 11 found this review helpful

I just bought a 5*3 that I use mostly for jazz combo and solo work. It's amazing. It's bright, but not too bright. Has just the right amount of edge. Pair it with a good reed and ligature and you'll be in heaven. I'm using the 5*3 with Peter Ponzol 2 1/2 and Alexander Superial 2 1/2 reeds on a Rovner Dark Ligature. I couldn't ask for a better sounding, responsive, or more reasonably priced mouthpiece. It's simply the best bang for your buck!!

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"very piercing"

by John - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
7 Years playing saxophone Jazz Cincinnati
5 people out of 7 found this review helpful

I'm mostly a bari player. Just for fun, I decided to pick my alto up again, and I realized I needed a good mouthpiece. Of the mouthpieces I tried, 7*3 was the best. It cuts through an entire sax section, and sounds good doing it. For any sort of jazz, this is your mouthpiece. Just don't try going into a serious concert band playing this.

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by Zack - 1/28/2009 9:45:19 AM  Share
Musical Experience: Style of Music: Hometown:
7 Years-High School, Semi-professional Jazz baby! Colorado
2 people out of 5 found this review helpful

At first, I wanted to emulate Dave Koz and Eric Marienthal by buying a Beechler Bellite mouthpiece. My teacher recommended this. It was a fantastic choice. The best thing about this mouthpiece is its flexibility. It can be as harsh as you want, but at the same time you can make it be as soft and fantastic as any smooth jazz artist. I would recommend this mouthpiece to anyone! The setup I found to be the best with this particular mouthpiece is Rico Jazz Select Medium soft Unfiled reeds with an Oleg Mesh Ligature. Muy Bueno!

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"Good as the best and better than the rest !!!"

by De Kuykendall - 5/30/2010 11:21:12 AM  Share
Musical Experience: Style of Music: Hometown:
Professional musician Ballroom dance band , jazz and rock and roll New Braunfels , Tx
5 people out of 6 found this review helpful

After exhaustive experimentation with all brands , I've determined my 5*3 and 4*4 alto mpc's to be perfect for big band lead alto and small combo gigs . I've played 50+ years and feel confident in making this bold statement . They're truly remakable .

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