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This instrument or product has been carefully played/used and returned to us in virtually new condition, however its packaging may not meet the standards set by the factory. Also, it no longer carries the manufacturer's warranty. If you're looking for a virtually new instrument in possibly less-than-perfect packaging, this is a great value. We feel so strongly you'll like what you see, we're including our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few, minor signs of use. In most respects it looks and performs like new and may be considered equivalent to display units found in retail stores. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 2 products are a terrific value and you can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic flaws beyond those of a Condition 2 product. These flaws are typical of an instrument or product that's seen normal wear and tear, including incidental scratches, chips, dings, dents or other imperfections. It performs just as well as a Condition 1 or Condition 2 instrument/product. Its packaging may not meet the standards set by the factory and it no longer carries the manufacturer's warranty. Condition 3 is a great choice if you're looking for performance and value and not as concerned with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is not in working condition and needs repair, but can be brought back to full functionality with replacement of parts or some skilled repair work. If you are a do-it-yourselfer or know a skilled repair person this is a terrific value. Condition 4 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable. It's best used for spare parts or to practice repairs on, and at this price Condition 5 products are sold AS-IS: they do not come with a manufacturer's warranty and are not returnable.
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Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
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King 2102L Jiggs Whigham TromboneLegend 2B trombone, The King Model 2102L is known as the Jiggs Whigham model in honor of the renowned international artist who prefers it. The 2102L is a straight .491" (12.47mm) bore, lightweight version of the 2B. The slide assembly is designed and constructed so that its weight is kept to a minimum. This reduction in weight allows remarkable facility in rapid passages and reduces player fatigue on long gigs and extended practice sessions. The 2102L features a 7-3/8" (187mm) yellow brass bell and nickel silver outer slide tubes, and it comes with a King 12C mouthpiece and deluxe covered case.
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Once my dream horn, now a reality...This horn does it all. It gets all over the place. The upper register is great. Everything above high B flat really sings out. Lightest weight horn I have ever picked up. I am able to blend in my jazz ensemble and come out for lead work. This horn has a bright yet dark sound that you want in a trombone.
I've been playing this horn for nearly a decade now, and I'm extremely satisfied. I tried out a wide variety of trombones at the 2002 International Trombone Festival, but when I picked this one up, it played so much more effortlessly than anything else I had tried ?the horn does what you tell it to do, and never gets in your way. It works well in a variety of contexts (I've done big band, jazz combo, and pops orchestral work with it), but it really shines for melody work (improv solos, etc.), as you might have guessed from the signature on the bell. Highly recommended.
I have been playing this model horn for over 20 years. U.S. Army Bandsman retired. Nothing plays better. The slide is so light and fast it will do things other horns can't even approach. I just purchased a King 3B for concert work but for lead Jazz Band or solo jazz work this is the horn. I used to go to the MidWest band clinics where all the major brands of instruments were available. I have tried them all, King is King.
After reading many reviews of King jazz trombones, I decided to put them to the test. After playing Bach's my entire life, I wanted to see if a King was really easier to play. After trying several examples in my home town, I went to the King factory in East Lake, Ohio to try all of the various 3B and 2B configurations. I was amazed at the differences between my Bach 12 and the King trombone comparables. And my Bach 12 with a gold brass bell and light weight slide was no slouch. It was made in the mid 80's. It is a great horn. But, the King was really that much better. I settled on a Jigg's slide with a yellow brass 2B bell. I preferred the straight .491 bore to the 2B's usual dual bore. It just takes less effort to play everything!!! After I returned home, I went to my first rehearsal with it and everyone wanted to know how it was possible for me to sound that much better in just one day. It was the horn. You really ought to try one. Try all bell material configurations before you buy. There are tremendous response differences between the sterling, gold brass, and yellow brass. And, if you can, go to the factory, they'll treat you like a King!