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Sale: $9.95 (33% off)
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Specialty Music Productions
Beginning Fiddle DVD
Remaining Quantity: 18
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Protect your investment with aPlatinum Coverage warranty plan:
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This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Tube-Tech EQ 1A Full Range EqualizerThe Tube-tech EQ 1A is an all-tube based, mono equalizer, which provides a sweet, musical EQ that offers creative sound-shaping with minimal tweaking. It provides the exactly results you'd expect from a world-class EQ, and does it effortlessly. A mastering version of the EQ 1A, the EQ 1M is available with stepped rotary switches for accuracy and parameter recall. Tube-Tech EQ 1A Full Range Equalizer, First Take:One-channel, all-tube based parametric equalizerHigh- and low-cut filters25kHz cut for anti-aliasing filtersHigh- and low-cut shelving EQ sections and three overlapping bandsAll-Tube Based Parametric EQThe EQ 1A has seven EQ sections that can be switched in and out, including high- and low-cut, high and low shelving, and three overlapping bands ranging from 40Hz to 20kHz. Except for the power supply, the EQ unit is all-tube based. Both the input and output stages have fully floating transformers for superior electronic isolation, which results in noise-free, ground-loop immune operation. All voltages (with the exception of the anode voltage at the output stage) are DC stabilized, since any variation in the DC energy when combined with the musical signal would cause distortion. Put simply, the EQ 1A's DC-stabilized circuits keep the EQ bands free of any unwanted artifacts. EQ is smooth and distortion-free. High- and Low-Cut Filters The cut filters are designed with unity gain amplifiers. This is significant since they don't load down the source or draw any current. Therefore, they drive the load as if it were a perfect voltage source. They also eliminate distortion due to overload, crosstalk, and other electromagnetic interference. The low- and high-cut sections include a frequency switch with a choice of six frequencies, a slope switch and an in/out switch. Both the low- and hi-cut filters offer a choice of six frequencies.25kHz High-Cut for Anti-Aliasing FiltersOf particular interest is the 25kHz high cut setting. Its purpose is to roll off the digital artifacts that can be heard when recording to digital systems when using their onboard converters. As you may know, design engineers use the anti-aliasing filters in digital converters to dump "garbage" (digital artifacts) above the audible spectrum (above 20kHz). In use, the 25kHz cut appears to have very little effect on the high-frequency content, however, its effect is very audible when it comes to removing the effects of those artifacts. High and Low Shelving EQThe shelving and bell filters (for the three overlapping bands) are designed around two tube operational amplifiers. Tubes can be operated in the overload region without adding objectionable distortion they way op amps and solid state amplifiers do. Due to this extra headroom, although subjective, tubes sound louder and have a better signal-to-noise ratio than transistor amplifiers. This is why the EQ 1A sounds so musical and smooth, even when you boost frequencies in the extreme. The EQ 1A also offers six frequencies of shelving in both low and high sections, and the same 6dB or 12dB slope per octave, and ±15dB of gain. The three bands of bell-type EQ offer 36 overlapping frequencies (12 per band), +/-20 dB of gain and variable bandwidth.About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You'll find their gear in the best recording and mastering studios around the world. The company's founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the legendary Pultec EQP 1A. Petersen continued to design and manufacture a number of innovative all-tube outboard processors including preamps, multiband compressors and summing amps. Thanks to John's dedication to high-quality analog sound you'll see Tube-Tech gear in the racks of pro audio legends such as multi Grammy Award winner Al Schmitt, (Frank Sinatra, Steely Dan, Toto, Quincy Jones, Natalie Cole, Diana Krall), Grammy winner Joe Chiccarelli, (Elton John, Beck, U2, Tori Amos, Counting Crows, Offspring), engineer Russ Long (Sixpence None The Richer, Wilco, Dolly Parton, Allison Moorer), producer-engineer Tony Shepperd (Elton John, Madonna, Kenny Loggins, Barbra Streisand, Lionel Richie, and Whitney Houston), and many more.
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* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.