Our Price: $15.95
Sale: $12.98 (19% off)
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Tripod Desk Mic Stand with Clip
Remaining Quantity: 145
*Additional discounts do not apply
Price valid on in stock items only.
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Protect your investment with aPlatinum Coverage warranty plan:
There are no products for the condition you selected. Please make another selection.
This instrument or product has been carefully played/used and returned to us in
virtually new condition, however its packaging may not meet the standards set by
the factory. Also, it no longer carries the manufacturer's warranty. If you're looking
for a virtually new instrument in possibly less-than-perfect packaging, this is
a great value. We feel so strongly you'll like what you see, we're including our
60-Day Satisfaction Guarantee on instruments and 30 days on accessories, to this used product making it a no-risk purchase.
Very Good: This instrument or product has been carefully played/used and shows few,
minor signs of use. In most respects it looks and performs like new and may be considered
equivalent to display units found in retail stores. Its packaging may not meet the
standards set by the factory and it no longer carries the manufacturer's warranty.
Condition 2 products are a terrific value and you can buy with confidence knowing
our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories applies to this used product.
This instrument or product is in good working condition but has one or more cosmetic
flaws beyond those of a Condition 2 product. These flaws are typical of an instrument
or product that's seen normal wear and tear, including incidental scratches, chips,
dings, dents or other imperfections. It performs just as well as a Condition 1 or
Condition 2 instrument/product. Its packaging may not meet the standards set by
the factory and it no longer carries the manufacturer's warranty. Condition 3 is
a great choice if you're looking for performance and value and not as concerned
with cosmetics. You can buy with confidence knowing our 60-Day Satisfaction Guarantee on instruments and 30 days on accessories
applies to this used product.
This instrument or product is not in working condition and needs repair, but can
be brought back to full functionality with replacement of parts or some skilled
repair work. If you are a do-it-yourselfer or know a skilled repair person this
is a terrific value. Condition 4 products are sold AS-IS: they do not come with
a manufacturer's warranty and are not returnable.
This instrument or product has been damaged beyond what we judge is reasonably repairable.
It's best used for spare parts or to practice repairs on, and at this price Condition
5 products are sold AS-IS: they do not come with a manufacturer's warranty and are
Accidental damage, normal wear and power surges are no longer an issue with these comprehensive and affordable plans. We even pay to ship your gear for repairs. More details.
Covers much more than the original manufacturer's warranty:
Limit of Liability: The least of the cost of (1) authorized repairs, (2) replacement with a product of similar features, (3) reimbursement for authorized repairs or replacement or (4) the price that you paid for the product.
*Limitations and exclusions apply. See terms and conditions for program details
Tube-Tech MEC 1A Recording ChannelThe rackmount Tube-Tech MEC 1A recording channel combines the MP 1A microphone and DI preamplifier, EQ 1A equalizer, and CL 1B optical compressor. It doesn't get any better than that baby! The MEC 1A is designed and hand crafted to deliver the warmth of vintage quality recordings with unrivaled accuracy, purity, and realism. You couldn't ask for a better front end for your DAW!Tube-Tech MEC 1A Recording Channel, First Take:All-tube channel strip comprising MP 1A preamp, EQ 1A equalizer, and CL 1B compressorMicrophone preamp: The microphone preamplifier consists of a microphone input transformer (with a static screen) with a step-up of +10 dB, two dual tube preamplifiers with two stepped gain switches, one with 10dB/step (coarse) and one 1dB/step (fine) giving a total gain range of +20dB to +70dB. The microphone input is provided with a switchable -20dB attenuation (PAD), switchable +48 V phantom-power and phase reverse. A highpass filter for the microphone and the DI input is switchable between off, 20 Hz and 40 Hz. For more information, check out the Tube-Tech MP 1A (# 182001)The microphone input is capable of accepting levels of up to +6 dBU (1.55V) at 40 Hz without the PAD. With the PAD switched into the circuit, the MEC 1A can be used as a unity gain line amplifier accepting levels up to +26 dBU (15.5V) at 40 Hz. The high impedance DI input is unbalanced and placed in the circuit directly after the input transformer. The gain range for this input is +10dB to +60dB. When in use, the microphone input is disabled. Equalizer: You'll love the sound of this EQ. It performs exactly as you would want a high-end EQ to. With minimal tweaking, you can add all of the punch, polish, and air you like to make your recordings stand out. The equalizer features low and high shelving filter with a gain range of +/- 15dB, each with 6 switchable frequencies and a band filter with a gain range of +/- 20dB, 12 switchable frequencies and a bandwidth control. The shelving and the bell filters are designed around a dual tube operational amplifier. The equalizer has a separate in/out switch. For more information, check out the Tube-Tech EQ 1A (# 182019)Compressor: The compressor is the same type optocompressor found the the Tube-Tech CL 1B, the vocal compressor of choice for so many top producers and engineers. It has controls for ratio, threshold, attack and release. A switch selects between manual attack and release and fixed attack and release. With the link switch it is possible to link several units together on two independent bi- directional buses. The compressor has a separate in /out switch. In normal operation the equalizer is in front of the compressor, but a switch enables the compressor to be in front of the equalizer.For more information, check out the Tube-Tech CL 1B (# 182025)About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You'll find their gear in the best recording and mastering studios around the world. The company's founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the legendary Pultec EQP 1A. Petersen continued to design and manufacture a number of innovative all-tube outboard processors including preamps, multiband compressors and summing amps. Thanks to John's dedication to high-quality analog sound you'll see Tube-Tech gear in the racks of pro audio legends such as multi Grammy Award winner Al Schmitt, (Frank Sinatra, Steely Dan, Toto, Quincy Jones, Natalie Cole, Diana Krall), Grammy winner Joe Chiccarelli, (Elton John, Beck, U2, Tori Amos, Counting Crows, Offspring), engineer Russ Long (Sixpence None The Richer, Wilco, Dolly Parton, Allison Moorer), producer-engineer Tony Shepperd (Elton John, Madonna, Kenny Loggins, Barbra Streisand, Lionel Richie, and Whitney Houston), and many more.
Order today with the no-risk assurance of our Total Satisfaction and Low Price Guarantees!
* Price guarantee valid on all new in-stock merchandise sold by an authorized U.S. Dealer. Guarantee does not apply to discontinued, blemished, damaged, closeout, open box, refurbished or auction items. You will be contacted via email shortly after submission of request.